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MAGNUM Manifesto

München (17 October 2018 – 27 January 2019) This landmark exhibition celebrates the 70th anniversary of the renowned photo agency Magnum Photos created by Robert Capa, Henri Cartier-Bresson, George Rodger, and Chim (David Seymour) in 1947.
A survivor of a concentration camp at the First Worldwide meeting of Holocaust survivors. Jerusalem, Israel, June 1981 © Patrick Zachmann/Magnum Photos

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This landmark exhibition celebrates the 70th anniversary of the renowned photo agency Magnum Photos created by Robert Capa, Henri Cartier-Bresson, George Rodger, and Chim (David Seymour) in 1947.

Tracing the ideas and ideals behind the founding and development of the legendary cooperative, curator Clément Chéroux explores the history of the second half of the 20th century through the lens of 75 masters, providing a new and insightful perspective on the contribution of these photographers to our collective visual memory.

Featuring group and individual projects, the exhibition includes over two hundred prints as well as books, magazines, videos, and rarely before seen archival documents. Among many others, it features the work of Christopher Anderson, Jonas Bendiksen, Henri Cartier-Bresson, Cornell and Robert Capa, Chim (David Seymour), Raymond Depardon, Bieke Depoorter, Elliott Erwitt, Martine Franck, Leonard Freed, Paul Fusco, Cristina Garcia Rodero, Burt Glinn, Jim Goldberg, Joseph Koudelka, Sergio Larrain, Susan Meiselas, Wayne Miller, Martin Parr, Marc Riboud, Alessandra Sanguinetti, W. Eugene Smith, Alec Soth, Chris Steele-Perkins, Dennis Stock, Mikhael Subotzky, and Alex Webb.

The exhibition is a co-production between ICP and Magnum Photos. It is curated by Clément Chéroux, with Clara Bouveresse and ICP Associate Curator Pauline Vermare.

Kunstfoyer

17 October 2018 – 27 January 2019

Maximilianstr. 53
80530 München

www.versicherungskammer-kulturstiftung.de

Exiled Republicans being transferred from one part of an internment camp for Spanish refugees to another.
Le Barcarès, France, March 1939
© Robert Capa © International Center of Photography/Magnum Photos

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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