67P By Florence Iff

It explores the mission of orbiter “Rosetta," which set out in 2004 to investigate a comet named 67P. Rosetta reached the comet 10 years later, in 2014, and sent back detailed information about the comet before ending its mission by hitting the comet's surface in a controlled maneuver.

My project “67P” is an investigation of light, time and space as explored through photography.

It explores the mission of orbiter “Rosetta,” which set out in 2004 to investigate a comet named 67P. Rosetta reached the comet 10 years later, in 2014, and sent back detailed information about the comet before ending its mission by hitting the comet’s surface in a controlled maneuver.I have been collecting old negatives illustrating the subject of ephemerality and impermanence for years. In “67P,” I combine those negatives with images from ESA that depict Rosetta’s journey to the comet. The mission was a search, within the primeval soup, for proof of life within our wider universe.

Part of the mission’s goal was to answer questions about life on Earth; likewise, I included pictures of the human body in this series in order to stress the fact that our existence consists of essentially our place in our bodies. I also placed dated photographs of long-changed landscapes alongside high-tech images of Mars or the surface of 67P. Playing with these juxtapositions, I created a visual journey that considers universal questions on life, transience, time, and the remains of our existence—the imprints we leave behind as human beings. Simultaneously it’s a journey through 100 years of technical advancement within photography and space-exploration. The pictures are named after the 11 scientific instruments and the lander on board of “Rosetta”. [Official Website]

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

67P | Florence Iff

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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