AmericaNewsThe Open Road ; Photography and the American Road Trip

St. Petersburg (9 Feb – 4 Jun 2017) Joy rides, voyages of discovery, surveys, wanderings, migrations, polemics, travel diaries, and assessment of the nation. Is America even imaginable without the road trip?

“Joy rides, voyages of discovery, surveys, wanderings, migrations, polemics, travel diaries, and assessment of the nation. Is America even imaginable without the road trip?”

-David Campany-


The road trip is an enduring symbol in American culture. Ever since cars became widely available, the road stretching over the horizon has represented a sense of possibility, freedom, discover, and escape — a place to get lost and find yourself in the process. The American road trip has appeared prominently in literature, music, and movies, but it has had an especially powerful influence on photography. As photographers have embarked on trips across the United States with the express purpose of making work, they have created some of the most important photographs in the history of the medium.

The Open Road explores the photographic road trip as a genre. It traces the rise of road culture in America and considers photographers on the move across the country and across the century, from the mid-1950’s to present day. Beginning with Robert Frank’s seminal odyssey, The Americans, and including such renowned work as Ed Ruscha’s Twentysix Gasoline Stations, Inge Morath’s The Road to Reno, Lee Friedlander’s American Monument, Garry Winogrand’s 1964, Joel Sternfeld’s American Prospects, Stephen Shore’s Uncommon Places, and Alec Soth’s Sleeping by the Mississippi, The Open Road is a visual tour de force, presenting the story of photographers for whom the American road is muse.

This project is supported, in part, by an award from the National Endowment for the Arts. Sponsored in part by the City of St. Petersburg, the State of Florida, Division of Cultural Affairs and the Margaret Acheson Stuart Society. Community support is provided by the Tampa Bay Times and WUSF Public Radio.

Museum of Fine Arts

9 Feb – 4 Jun 2017

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www.fine-arts.org

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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