In his new series Embodied Extinction the artist returns to the source of the ancient, simple photography techniques, raising the subject of the origins of photography.
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Žilvinas Kropas
Amorfo: weightless, formless and moving object of photography by Žilvinas Kropas & Guillermo Alvarez
How does one portray movement, or a weightless or a formless object? It is probably the most complicated task that photography has been trying to cope with since the early history of its development.
During my career of art critic and media artist I have met a great variety of contemporary art creators. Some appear on my horizon only fragmentarily and do not stay in my memory for long, others provoke intense reflection of their work.
The photography of the 21st century is still able to surprise us. The mass of images that land on our screens every day is so enormous that twenty-four hours would probably not be enough to count them.
The essential feature of photography is to capture and reflect a reality in which the dimensions of space, time, authentic being, of mind and feelings are equally prominent, linking in an easily discernible way all those in the area: photographer, viewer, environment, its it’s details and other members involved in it.
The very title of the photographic cycle – Illumination of solar scripts – signifies the gesture of photography as dedication as well. On the one hand, it is possible to claim that in this way Žilvinas Kropas dedicates his work to the sun.
