Still Life Part IX by Stefania Piccioni

White is maybe the most rigorous and psychological color, it seems to purify the surfaces, it’s a color that makes the vacuum merge. The empty spaces have slight contrasts of shape as a value.
Still Life Part IX | Stefania Piccioni

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White is maybe the most rigorous and psychological color, it seems to purify the surfaces, it’s a color that makes the vacuum merge. The empty spaces have slight contrasts of shape as a value.

I like to deal with this non-pigmentation because its process is a ramification of many harmonic elements that allude to a perfect informality. These pictures may seem incongruous because they are elegant and messy at the same time. They are contemporary, I took familiar objects like: “Burger King” glasses, crumbled pills, glasses of plastic or packs, which I photographed in high key. This kind of illumination, in which high and white tones are predominant, spreads positivity and freshness, which is another element of contrast towards the mess of the scenery, that often has a dirty tablecloth, like someone suddenly left the meal. The position of elements is never random, but it is necessary to highlight the constituent structure: pieces of silverware, pills, bottles, remains of food or dry branches are often put close to each other on levels, like there was a narrative correlation more or less narrow between each other. There is no human presence, but it is re-invoked through the representation of objects, where plasticity alternates with flatness, creating at the same time tension and melancholy.

About Stefania Piccioni

Stefania Piccioni was born in Ascoli Piceno in 1970. And ‘daughter of Art, began photographing young, in 1989 obtained a maturity of Applied Arts in the “Art Photography” section at the’ State Institute of Art “O. Licini” of Ascoli Piceno. He worked many years as a professional in the field of photography of Queens, imonio, currently a freelance photographer. E ‘was selected by juries in several important techniques call for national and international artists for group exhibitions in Italy. He has exhibited in galleries and private museums. In 2014 Third Biennale of Salento, Lecce. Finalist in the interior of Photography Contest “Ariano Film Festival.” He won the third prize for best photography b / w “Thousand Ways of Being a Woman” Gallery Dream Factory “- Mi. 2015 realizes a solo exhibition entitled “The Fable is a Game” at the PiziArte Gallery, where it is on permanent display. E ‘was also selected in 2015 and 2016 editions of the Art Collective “In Contemporary Porcari 2016” – Special Mention sect. Photography 2016 -Porcari (LU) -) – His self-portraits are part of the photographic archive Musinf- Senigallia (An), the same are published in the book on self-portrait by Giorgio Bonomi, edited Rubettino – His photographs are part of collections private, are published on different Photo Magazine.

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

 

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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