ConceptEuropeStill Life Part IX by Stefania Piccioni

White is maybe the most rigorous and psychological color, it seems to purify the surfaces, it’s a color that makes the vacuum merge. The empty spaces have slight contrasts of shape as a value.

White is maybe the most rigorous and psychological color, it seems to purify the surfaces, it’s a color that makes the vacuum merge. The empty spaces have slight contrasts of shape as a value.

I like to deal with this non-pigmentation because its process is a ramification of many harmonic elements that allude to a perfect informality. These pictures may seem incongruous because they are elegant and messy at the same time. They are contemporary, I took familiar objects like: “Burger King” glasses, crumbled pills, glasses of plastic or packs, which I photographed in high key. This kind of illumination, in which high and white tones are predominant, spreads positivity and freshness, which is another element of contrast towards the mess of the scenery, that often has a dirty tablecloth, like someone suddenly left the meal. The position of elements is never random, but it is necessary to highlight the constituent structure: pieces of silverware, pills, bottles, remains of food or dry branches are often put close to each other on levels, like there was a narrative correlation more or less narrow between each other. There is no human presence, but it is re-invoked through the representation of objects, where plasticity alternates with flatness, creating at the same time tension and melancholy.

About Stefania Piccioni

Stefania Piccioni was born in Ascoli Piceno in 1970. And ‘daughter of Art, began photographing young, in 1989 obtained a maturity of Applied Arts in the “Art Photography” section at the’ State Institute of Art “O. Licini” of Ascoli Piceno. He worked many years as a professional in the field of photography of Queens, imonio, currently a freelance photographer. E ‘was selected by juries in several important techniques call for national and international artists for group exhibitions in Italy. He has exhibited in galleries and private museums. In 2014 Third Biennale of Salento, Lecce. Finalist in the interior of Photography Contest “Ariano Film Festival.” He won the third prize for best photography b / w “Thousand Ways of Being a Woman” Gallery Dream Factory “- Mi. 2015 realizes a solo exhibition entitled “The Fable is a Game” at the PiziArte Gallery, where it is on permanent display. E ‘was also selected in 2015 and 2016 editions of the Art Collective “In Contemporary Porcari 2016” – Special Mention sect. Photography 2016 -Porcari (LU) -) – His self-portraits are part of the photographic archive Musinf- Senigallia (An), the same are published in the book on self-portrait by Giorgio Bonomi, edited Rubettino – His photographs are part of collections private, are published on different Photo Magazine.

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

Still Life Part IX | Stefania Piccioni

 

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PRINTED EDITION
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Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
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I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
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I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
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I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

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Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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