Night in Cherry Red by Kazunori Nagashima

When you are thinking of yourself, it may not be that you’re always facing yourself precisely. But it must cause great fear to disrupt yourself in order to have a complete objective point of view.
Night in Cherry Red | Kazunori Nagashima

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When you are thinking of yourself, it may not be that you’re always facing yourself precisely.

But it must cause great fear to disrupt yourself in order to have a complete objective point of view.Although Cognitive Science has subdivided and the study may have advanced partially, I think that 99% of their subjects remain unsolved to this day.We always have to experience the difficulties of the recognition that could be never digitized.I don’t intend to say that “art” can solve everything, but “art” can be more fitting than science when suggesting new viewpoints or comprehend complexity of the cognition.

Recognition of the self and others, this is the theme of my work. Our daily life is full of contrasts. Every difference makes us, and we like them to be balanced somehow.It seems to be in harmony in the world, but tricks can be found everywhere. If 2 people are facing each other across the table in a new cafe, the drawings on the wall they remember may be different. Or a traveler from the east and a traveler from the west may see a different scenery even if they are walking on the same road.The entrance to a different dimension is found from the comparison or the converse points of view.
A man and woman appear in an unusually red atmosphere in this story. They hardly look at each other. In fact, they are incapable of looking at each other. They are also unable leave each other. Particular love does not seem to intervene between them. The two do not know why they are together.The characters in this story are embodying those who cannot look directly at themselves.

The two characters are in fact the very same person in this story.

[Official Website]

Night in Cherry Red | Kazunori Nagashima

Night in Cherry Red | Kazunori Nagashima
Night in Cherry Red | Kazunori Nagashima

Night in Cherry Red | Kazunori Nagashima
Night in Cherry Red | Kazunori Nagashima

Night in Cherry Red | Kazunori Nagashima
Night in Cherry Red | Kazunori Nagashima

Night in Cherry Red | Kazunori Nagashima
Night in Cherry Red | Kazunori Nagashima

Night in Cherry Red | Kazunori Nagashima
Night in Cherry Red | Kazunori Nagashima

dodho_kaz_07 dodho_kaz_08 dodho_kaz_09 dodho_kaz_10 dodho_kaz_11 dodho_kaz_12 dodho_kaz_13 dodho_kaz_14 dodho_kaz_15 dodho_kaz_16 dodho_kaz_17 dodho_kaz_18

Night in Cherry Red | Kazunori Nagashima
Night in Cherry Red | Kazunori Nagashima

Night in Cherry Red | Kazunori Nagashima
Night in Cherry Red | Kazunori Nagashima

One comment

  • serge janssens

    Dec 18, 2016 at 16:22

    Beau travail de Kazunori Nakashima ,images très contemporaines et éclectiques . J’aime beaucoup

Comments are closed.

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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