In 1997 Daoust was invited to decorate a room in the Carlton Arms Hotel in New York City – a hotel that, for the past 40 years, has invited artists such as Banksy, Andre Charles and Paco Simone to transform rooms and walls.
In 1997 Daoust was invited to decorate a room in the Carlton Arms Hotel in New York City – a hotel that, for the past 40 years, has invited artists such as Banksy, Andre Charles and Paco Simone to transform rooms and walls.
Daoust created a ‘childhood dreamland’, painted in Crayola-bright colors and crowded with games and plush animals. For a period of two years following the completion of her space Nathalie lived in the Carlton Arms Hotel, staying briefly in every room to absorb each artist’s singular universe. The resultant images explore the interaction between subject and closed environment, engaging with the uncertainty of self as each room becomes a microcosmic world.These photos were published in a book of the same name in 2002. [Official Website]
In India movies not only represents a mere art form it constitutes a virtually alternative lifestyle. Film posters have always fascinated me with their surreal like imagery.
Galassi uses architecture in his photography, drawing freely and profusely from the wide urban setting to create an artificial picture-square, an Appearance rather than an Existence.
Over the course of my life (at present 61), I’ve been in some ‘diverse life’ situations. The one constant has been photography. Admittedly there have been large patches of time when i was camera less, again owing to ‘diverse’ living arrangements.
I think Dodho Magazine is an essential reference point regarding photographic projects publication, with a high diffusion among the professionals of the sector, galleries, agencies, etc. ... I value the diversity of what is published and the freedom it breathes and transmits.
Patagonia. Suspended atmosphere is silence, is no time around us. More you go down throw South America and more you start a deep dialogue with loneliness and frailty. Nature becomes the main part of this relation: it just enters, sometimes with violence sometimes with gentleness.
I recently started a job "Histoire d'Ô", which presents a series of long exposures taken around the theme of water. Discovering the long exposure, I found the opportunity to work abstraction, loss of marks.
This series were made between Nov 2015 and July 2016 in Tokyo, Japan; using my Ricoh GR. I decided to do a mini project concentrating on its many crossroads around the Shinjuku district in Tokyo.
The project ‘Limits of existence’ are self-portraits compiled by the author with MRI scans. It is a case-record, in which the body appears as a subject to internal researches and the only way of communication with the outside world.
These photos are part of an ongoing series called Suspended. During the quarantine – somehow a forced situation of suspended time – I’ve had the chance of reflecting on my own relationship with time and space.
Perhaps it is not as colourful as a ramble through the Guell Park, in Barcelona, but strolling along the streets in Paris or Strasburg is full of fleeting figures and elusive emotions.
I always felt that abstract photography was something one needs to mature into. It takes insight and patience to see what is insinuated rather than what is implied.
I am always open for new projects. In the meantime, I still continue working on my two series ‘’In the Bath’’ and ‘’Freckles”. I also have some new cooperation coming which we are organising at the moment.
The image is taken from a larger series titled Scotland and the Environment, touching on a variety of contemporary issues facing Scotland today, such as plastic pollution, marine conservation, intensive agriculture and woodland protection.
For this photographic series the interaction between the physics of foam construction and its visual impact is what drove me. Designed to spark the viewer's imagination, these images perfectly exploit the connection between science and the inherent artistic appeal of soap bubbles.
The title reflects the photographic practice of Cyrille Druart. Unlike his other passion, Architecture, a field in which the progress of projects is slower and anchored in practical needs.
Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
Kazakh Childhood; France Leclerc’s project was selected and published in our print edition 16. Though the daily activities may vary quite dramatically from one part of the world to the next, children can thrive if provided with a nurturing caregiver and a safe place to play and explore.
Tale of the blue pear; Nikolina Petolas’s project was selected and published in our print edition 16. The series present a search for our own essence, which is embodied in the shape of a pear, in different color and sizes, which can be found in the majority of her artworks.
In the EU, the number of homeless people has grown by seventy percent in one decade. Nowadays more than 700 thousand people have to face the fact daily that they have no roof above their heads.
Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
