Harold Feinstein ; Graciously yours

Paris (24 May – 31 Aug 2018) After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness
Harold-Feinstein Window Washer 1974 / Courtesy Galerie Thierry Bigaignon

After a first exhibition in 2017 revealing the contagious optimism of the American photographer as he was depicting post-war youth and recklessness, Galerie Thierry Bigaignon now presents the second part of the retrospective dedicated to Harold Feinstein, with photographs spanning from 1964 to 1988.

The renaissance of this photography prodigy, the youngest member of the Photo League, whose precocity was confirmed when he entered the permanent collection of the Museum of Modern Art in New York (MOMA) at the age of 19, takes a second step. After having covered the 40s and 50s during the first part of this retrospective, the Galerie Thierry Bigaignon, this time, has selected 21 photographs covering the period from the 60s to the 80s, illustrating once again the tremendous talent of the American artist, who passed away in 2015.

Though his muse has always been Coney Island, where he was born in 1931, Harold Feinstein turned his lens, as of the 60s, to the streets, offices and restaurants of Manhattan, establishing himself as ‘one of the most accomplished recorders of the exhilarating American experience’ as the New York Times called him back in 2015. But even more striking in this new selection by the Parisian gallery is the omnipresence of bodies and the remarkable way Feinstein captures the movement, seeing the streets before him as a ballet of grace and beauty.

His black and white photography freezes the New Yorkers’ everyday life like no other, highlighting the humanity of these immortalized characters. Harold Feinstein himself used to describe his images as “a small sampling of [his] photographic journey bearing witness of the beauty and mystery of this human life.”

Diving into the glittering Times Square, the swirling streets of Harlem, exploring smoke-filled coffee shops, subways trains and shop windows from every angle, Harold Feinstein brings to light all the poetry and grace of an ever-changing city through engaging and magnetic images. French curator and former director of the Niece Museum, François Cheval, who is preparing a full retrospective of Harold Feinstein with his partner Audrey Hoareau says: “Harold Feinstein acts as if reality had to conform to the way he sees the world. Magnifying, with method, the latent beauty of everyday life, seems like a duty he imposed on himself. With this great ambition he took photography to another level, attaching a certain morality to it.”

Galerie Thierry Bigaignon

MAY 24TH TO AUGUST 31ST, 2018

Hôtel de Retz, Bâtiment A, 9 rue Charlot 75003

PARIS

www.thierrybigaignon.com

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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