B&WEuropeStoryThe Journey of Hope; Forgotten in Lampedusa by Salvatore Esposito

Lampedusa is the outpost for the Europe. Closer to Africa than to mainland Europe, but to get here is that all migrants attempting what is called "The Journey of Hope."

Lampedusa is the outpost for the Europe. Closer to Africa than to mainland Europe, but to get here is that all migrants attempting what is called “The Journey of Hope.” This is the name commonly given to the crossing of that piece of the Mediterranean sea that separates Africa from Lampedusa.

Migrants with old vessels called “ships of shame”, sold by smugglers on the coast of Libya or Tunisia, they try with the “journey of hope” to change their life. The migrants come from countries of the African coast but also from the sub-Saharan region and the Horn of Africa among other places. Very often must take months to travel through the African territory even in the desert before groped to embark on the coasts. Migrants are often very young, there are many children who are subjected to violence in their path, plundered by robbers of the desert or imprisoned by militaries or police in North Africa States. They leave in large numbers on the boats in a boat 200. Many find the end of their journey dying in the waves, those who manage to land end up in the Reception Center waiting to know what will be their fate. About 111 minors forgotten for days without hot water and sometimes without a bed to sleep on. The center keeps kids locked up with adults are about 700 people in a space that could contain up to 300. A recent survey has revealed that migrants are subjected to barbaric, that is: even in winter are put in a row naked and sprayed with pumps disinfect infected by scabies, pathology, inter alia, that no one seems to have among migrants. [Official Website]

FORGOTTEN IN LAMPEDUSA

FORGOTTEN IN LAMPEDUSA FORGOTTEN IN LAMPEDUSA FORGOTTEN IN LAMPEDUSA FORGOTTEN IN LAMPEDUSA FORGOTTEN IN LAMPEDUSA FORGOTTEN IN LAMPEDUSA FORGOTTEN IN LAMPEDUSA 10 FORGOTTEN IN LAMPEDUSA

FORGOTTEN IN LAMPEDUSA

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Scientist from Kazakhstan Boris Smerdov is 77 years old. Half a lifetime he has spent “deeply worried about” the Aral Sea. On retirement, the scientist has been descrambling the secret signs he discovered at the bottom of the Aral Sea.
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I’m a New York based fashion photographer and artist. I grew up in Finland and Hungary, and came to NYC to study painting at the age of 17.
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I have always wanted to be a painter. When I was a kid my school art teacher told me that I need to study art to become an artist. I never did but always wanted to.
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In Imagine Magic I use found light and textures to make visible the dreamscapes hidden in everyday life. I often find myself moving through my daily routine without really observing my environment, particularly when I am at home. 
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Sight is a continuous stream of visual resources that allow us to understand and interact with the world, but memory is selective and interrupted. Coming from a Cinema background I tend to consider images for what they mean during a temporal dimension, and time makes them ephemeral.
Lee Musgrave ; Ephemeral Treasure: Revealed & Celebrated

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These black and white images are from a diversity of global locations. Ireland, Canada, Iceland, The Faroe Islands and Namibia. They endeavour to convey a sense of space, atmosphere and the way in which light exacerbates tonal contrasts.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

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These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
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Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
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Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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Guatemala; Until the corn Grows Back by Lys Arango

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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