AmericaConceptCertainty: The Creative Unpredictable by Anastasia Sofos

Change in uncertain times as one seeks the creative pulse in what seems disarray: The Pandemic; an emotionality all can relate, to the tune of unity and sympathetic understanding and curious, creative leanings into the uncertainty.

Change in uncertain times as one seeks the creative pulse in what seems disarray: The Pandemic; an emotionality all can relate, to the tune of unity and sympathetic understanding and curious, creative leanings into the uncertainty.

Parties cancelled! Art events, concerts, conferences, culture and industries postponed, meanwhile laying a new line of representation in the new mainstay of Zoomology. Store fronts closed, cafes, restaurants with break of European style outdoor seating, to be continued. 2020 and 2021, mostly closed for old style business with icing of the cake – to limit or eliminate personal contacts with a cherry on top: global contagion, masks on at a distance. Where do liberties go? They shift. All be with resistant moments or at others a welcome surrendered and grace to put it all down and walk into an unknown. What will we create?

As technology innovates in substitute, all man made postponements grant nature great respite. Headlines of improved air quality in Los Angeles, highways gone quiet around the world, wild life come home to their lost habitat and after too many years of environmental concern for it’s loss, the snow falls again in Berlin. People brought to the brink of a new precipice, finding renewed paths to inner emotional resources and innovative ways of being. A fascinating time to watch artists create new visions in forests of fantasy and interpretation of new visions in the topsy turvy uncertain climax of panic, health and love for long walks of wonder. Things all share. A time of vision in a cacophony of uncertainty.

The photographs in this series communicate a reconnection to the natural environment in consort with fresh, unfound before perspectives during unprecedented times. The photographer seeks empathetic comparison between the durable, appearing structure of the modern world in it’s always inherent uncertainty with a certain, endless supply of creative energy humans and worlds possess, pulsing into our impermanent cycles of life.

It leaves questions in process: Do we make change or do uncontrollable events transpire to make changes and new ways of seeing, for us? Do we bode as abundantly as the alignment of our focus, much like a photograph? Certainly, the creative unpredictable. [Official Website]

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PRINTED EDITION
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Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
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I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
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I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
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I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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