ConceptEuropeAbstraction at Source by Caroline de Bertodano

Abstraction is all around us in everyday life. It does not depict reality but lives within reality co- existing alongside us. In the empty space between objects and movement. In the texture of materials and light.

Abstraction is all around us in everyday life.

It does not depict reality but lives within reality co- existing alongside us. In the empty space between objects and movement. In the texture of materials and light. In a movement or action and the echo’s produced. The hidden music in the score that we hear through our eyes. 

Creating many images with a textural feel is intentional. We use all our senses in life and we do not experience a flat shiny world. Texture adds depth to a moment in time of image making, adding a dimension of reality to the mind. The abstraction of touch as well a vision. All shots are the source of abstraction in everyday moments with minimal editing. Shot on an iPhone. [Published by Out of the Phone, Paris]

“The more abstract the truth…the more you must allure the senses to it” – Friedrich Nietzsche 

Abstraction at Source | Caroline de Bertodano

About Caroline de Bertodano

Caroline de Bertodano is a documentary & street photographer that believes in truth in all its forms and no labels. Trained in music and Art History & worked in Modern Art for 12 years. Became a photographer at 37 whilst living in Japan for 3 years. Worked as a Photojournalist. Raised a family. Her work is in collections worldwide. [Official Website]

“There is a place I go behind a lens where I disappear. I have no real idea of how or what I do, if it feels right, I shoot. There is untold peace & courage in that space, where there is truth in all its forms”.

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

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