Abstraction at Source by Caroline de Bertodano

Abstraction is all around us in everyday life. It does not depict reality but lives within reality co- existing alongside us. In the empty space between objects and movement. In the texture of materials and light.
Abstraction at Source | Caroline de Bertodano

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Abstraction is all around us in everyday life.

It does not depict reality but lives within reality co- existing alongside us. In the empty space between objects and movement. In the texture of materials and light. In a movement or action and the echo’s produced. The hidden music in the score that we hear through our eyes. 

Creating many images with a textural feel is intentional. We use all our senses in life and we do not experience a flat shiny world. Texture adds depth to a moment in time of image making, adding a dimension of reality to the mind. The abstraction of touch as well a vision. All shots are the source of abstraction in everyday moments with minimal editing. Shot on an iPhone. [Published by Out of the Phone, Paris]

“The more abstract the truth…the more you must allure the senses to it” – Friedrich Nietzsche 

Abstraction at Source | Caroline de Bertodano

About Caroline de Bertodano

Caroline de Bertodano is a documentary & street photographer that believes in truth in all its forms and no labels. Trained in music and Art History & worked in Modern Art for 12 years. Became a photographer at 37 whilst living in Japan for 3 years. Worked as a Photojournalist. Raised a family. Her work is in collections worldwide. [Official Website]

“There is a place I go behind a lens where I disappear. I have no real idea of how or what I do, if it feels right, I shoot. There is untold peace & courage in that space, where there is truth in all its forms”.

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

Abstraction at Source | Caroline de Bertodano

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.