MAGAZINE
UPCOMING PRINT EDITION: PHOTOGRAPHER SELECTION
Our physical edition is a powerful tool to present your work to the world. Although it adopts the format of a magazine, it does not follow the traditional logic of a magazine. It is an artistic and curatorial volume, conceived to endure and to place your work in the context it deserves. The magazine format allows your work to travel, circulate, and be discovered where it truly matters.
Each issue reaches curators, festival directors, galleries and publishers who are actively seeking new voices in contemporary photography. Being selected means entering their radar, opening doors that rarely open on their own, and positioning your work within a space of international visibility and editorial credibility.
This selection is not only about strong images. We look for photographers whose vision contributes something distinctive to today’s visual conversation. If your work becomes part of this edition, it will not simply be printed. It will gain real visibility.
IMPACT
11 YEARS CONSOLIDATING A REFERENCE PUBLICATION
For more than 11 years, Dodho Magazine has maintained a consistent and uninterrupted print publishing program, producing 36 print editions and presenting the work of 216 photographers from 32 countries across five continents.
This sustained editorial activity has resulted in thousands of printed copies in circulation and over 20 million digital reads and online views, positioning each selected project within a broad international context.
Dodho operates as a long term editorial platform where photographic work is not only published, but contextualized and circulated among galleries, festivals, curators, institutions, and industry professionals worldwide.
The impact of this model is demonstrably sustained: 80% of the photographers who first appear in our print edition return for further collaborations, reinforcing Dodho’s role as a trusted, stable, and professionally relevant publication within the contemporary photography ecosystem.
CIRCULATION
A PROFESSIONAL CONTEXT FOR YOUR WORK
Taking part in the Dodho Magazine call goes beyond being published. Each selected project becomes part of an edition that circulates through galleries, museums, festivals, and institutions dedicated to contemporary photography worldwide.
Dodho operates as an editorial and curatorial platform that places your work in professional contexts, where it is consulted by curators, editors, and cultural programmers. The list alongside this text reflects some of the spaces where our editions are regularly present.
Being published in Dodho means entering a long-term circuit, where visibility is sustained and aligned with contemporary photographic practice.
- Carnegie Visual Arts Center
- CCA - Santa Fe Center for Contemporary Arts
- Arnika Dawkins Gallery
- Iris Gallery of Fine Art
- A Smith Gallery
- Cavalier Galleries
- Chicago Art Source
- Contessa Gallery Cleveland
- Haines Gallery
- Hamiltons Gallery
- MEM,Inc.
- Peter Blum Gallery
- Yale University Art Gallery
- ArtSpace Richmond
- Altamira Fine Art Jackson
- Baldwin Gallery
- BAXTER ST at the Camera Club of New York
- David Winton Bell Gallery
- CEPA Gallery
- Galerie VU’
- Blue Sky Gallery
- Bridgette Mayer Gallery
- BRIC
- Toth Gallery
- CAMERA – Centro Italiano per la Fotografia
- PhotoMidwest
- Galerie Caméra Obscura
- Carver Hill Gallery
- Catharine Clark Gallery
- Chambers Fine Art
- Davison Art Center
- Mariane Ibrahim Gallery
- Polka Galerie
- CAC - Chicago Artists Coalition
- Fahey/Klein Gallery
- Fotografie Forum Frankfurt
- Fifty Dots
- Fisheye Gallery
- GABBA Gallery
- Galerie Hegoa
- Galerie Huit Arles
- Gallery 38
- Hangar Gallery
- Holden Luntz Gallery
- in camera galerie
- La Photographie Galerie
- La Galerie Rouge
- Laurence Miller Gallery
- Les Douches la Galerie
- Lisson Gallery
- Galerie Lumière des Roses
- Patricia Sweetow Gallery
- Charles Isaacs Photographs
- Center for Visual Art
- Adamson Gallery
- Clark Gallery
- Daniel / Oliver Gallery
- Diane Rosenstein Fine Art
- Dina Mitrani Gallery
- Edward Cella Art+Architecture
- Diana Lowenstein Gallery
- Gallery Steiner
- The Photographer's Eye: A Creative Collective
- Opera Gallery
- Ellen Miller Gallery
- Crane Kalman Brighton
- White Cube New York
- Colorado Springs Fine Arts Center
- Fotogalerie Wien
- Robert Rauschenberg Foundation
- Gage Gallery at Roosevelt University
- Blanca Berlín
- Perve Galeria
- Spectrum Sotos
- Galerie Esther Woerdehoff
- GAF – Galerie für Fotografie Hannover
- Photo12 Galerie
- Galerie Slavik
- Anzenberger Gallery
- APG - Atlanta Photography Group
- Catherine Couturier Gallery
- Leonard Pearlstein Gallery
- Forum Gallery
- Gallery WM
- Huxley-Parlour
- Luis De Jesus Los Angeles
- Nohra Haime Gallery
- Sikkema Malloy Jenkins
- Sundaram Tagore Gallery New York
- TAG Gallery
- Thomas Deans Fine Art
- Gallery TOSEI
- Whitespace
- Leica Gallery London
- Gallery ‘Iolani
- WMG - Woman Made Gallery
- PACI contemporary
- Lanoue Fine Art
- Harvey Milk Photo Center
- The Center for Contemporary Arts
- Contact Photo
- Impressions Gallery
- Ochi Gallery
- YBCA - Yerba Buena Center for the Arts
- David Zwirner
- IGCA - International Gallery of Contemporary Art
- TILT Institute for the Contemporary Image
- Afterimage Gallery
- Galeria 111
- 29 Arts In Progress
- 303 Gallery
- 440 Gallery
- ACP - Atlanta Center for Photography
- A Gallery For Fine Photography
- Agora Gallery
- Aliona Ortega Fine Art
- Anthony Brunelli Fine Arts
- Anton Kern Gallery
- Arthur Roger Gallery
- Artifact Projects
- Art Intersection
- The ArtsCenter
- ArtSpace Raleigh
- ArtWorks Cincinnati
- Asya Geisberg Gallery
- ATLAS Gallery
- Aurelia Gallery
- Autograph
- August Wilson African American Cultural Center
- Axiom Contemporary Philadelphia
- Benrubi Gallery
- Berggruen Gallery
- BAC - Berkeley Art Center
- Deichtorhallen
- Marianne Boesky Gallery
- Brett Wesley Gallery
- Bridgeport Art Center
- BDC - Bronx Documentary Center
- Bryce Wolkowitz Gallery
- C24 Gallery
- CACNO - Contemporary Arts Center New Orleans
- Cámara Oscura
- Candela Books + Gallery
- Carolina Nitsch
- Casemore Gallery
- Casterline Goodman Gallery
- C. Grimaldis Gallery
- Chroma Fine Art Gallery
- Chung 24 Gallery
- Charlie James Gallery
- ClampArt
- The Cleveland Museum of Art
- Cleveland Print Room
- CCAC - Clifton Cultural Arts Center
- CMCA - Center for Maine Contemporary Art
- Commune Gallery
- Contemporary Works
- Craig Krull Gallery
- Cristin Tierney Gallery
- Daniel Azoulay Gallery
- David Castillo
- David Hill Gallery
- Davis Orton Gallery
- Deborah Bell Photographs
- Deborah Colton Gallery
- Dickerman Prints Gallery
- Dolby Chadwick Gallery
- Duncan Miller Gallery
- Edition ONE Gallery
- Elisabeth Houston Gallery
- Ever Gold [Projects]
- Foley Gallery
- Fondazione Forma per la Fotografia
- Fotocolectania
- Framer Framed
- Galerie Lelong & Co.
- Galerie Binôme
- Gallery Luisotti
- Gladstone Gallery New York
- Howard Greenberg Gallery
- ICP - International Center of Photography
- Jack Shainman Gallery
- James Cohan
- Janet Borden Inc.
- Joseph Bellows Gallery
- Klompching Gallery
- Robert Koch Gallery
- LACP - Los Angeles Center of Photography
- Leica Gallery Boston
- Light Work
- Luhring Augustine
- Martin Parr Foundation
- Matthew Marks Gallery
- M+B
- Nicole Klagsbrun
- Open Eye Gallery
- Pace Gallery Los Angeles
- Paula Cooper Gallery
- Peter Fetterman Gallery
- Petzel Gallery
- photo-eye Gallery
- Pioneer Works
- P·P·O·W
- PRC - Photographic Resource Center
- The Print Center
- RYAN LEE
- Salon 94
- Sasha Wolf Projects
- Sean Kelly Gallery
- Silver Eye Center for Photography
- Stephen Daiter Gallery
- Hans P. Kraus Jr. Fine Photographs
- Thomas Erben Gallery
- Throckmorton Fine Art
- Tina Kim Gallery
- The Photographers' Gallery
- Ubu Gallery
- Valid Foto BCN
- Van Doren Waxter
- Yancey Richardson Gallery
- Yossi Milo Gallery
- Gagosian Gallery
- Perrotin
- Hauser & Wirth
DEADLINE: SUNDAY, MAY 31, 2026TIME WON’T WAIT.
THE SELECTION CLOSES IN…
HoursMinutesSeconds
HALL OF FAME
A WELL-TOLD STORY DESERVES TO RETURN TO ITS ORIGIN
France Leclerc knew it when she photographed the dances of this tribe. She sent the project to Dodho, we accepted it, and gave it what it deserved: 20 printed pages in Issue #20.
The true publication happened later. France returned with the magazine under her arm and sat with the people who fill those pages. She didn’t show them a screen; she left them paper, ink, and a piece of prestige with weight. Look at them: on the left, the woman who dances so her culture will not fade; on the right, the photographer who turned that dance into a chapter you can leaf through, keep, and share.
When you wonder what changes with real publication, remember this image. A 20-page feature that traveled the world and came back to its origin. That is closing the circle. That is real impact.
Michiko Chiyoda is a photographer and visual author who has been closely connected to Dodho Magazine both as a published artist and as a juror. Her work is driven by a sensitive, narrative approach and a strong belief in photography as a universal language and a space for creative dialogue.
“Dodho Magazine has always been a place where “creative dialogue” is born. Having shared my own stories as an author and encountered new talents as a juror, I have felt firsthand how sincerely this magazine pursues the true value of photography. The joy of seeing my work published and the experience of engaging with diverse perspectives have truly enriched my journey as a photographer.
Dodho cherishes universal stories that resonate across time. As we move toward this new chapter in 2026, I am confident that this platform will become an even deeper and more innovative source of inspiration for all creators.“ – Michiko Chiyoda
JURY
AN EXPERT INTERNATIONAL JURY
DUSK GALLERYHolly Hart
Gallery Director
SANTA FE
SANTA FE
ROTTERDAM PHOTO FESTIVALMarcel Kollen
Festival Director
ROTTERDAM
ROTTERDAM
THE PHOTOCLOSERFrank Meo
Representing photographers
NEW YORK
NEW YORK
LEICA GALLERYParis Chong
Gallery Director & Curator
LOS ANGELES
LOS ANGELES
MAGAZINE
DISCOVER OUR LATEST ISSUE
PHOTOGRAPHERS
WE DISCOVER THE WORK OF 216 PHOTOGRAPHERS
This sustained work of editing and dissemination takes shape as an ongoing process of discovery, in which each publication expands and strengthens the visual archive that Dodho has built over time. Beyond quantitative metrics, the magazine operates as a space of genuine visibility for authors, where images circulate, are recontextualized, and engage in dialogue with an international community that understands photography as a language, a cultural practice, and a tool of communication.
HALL OF FAME
MICHIKO CHIYODA, PUBLISHED ARTIST AND JUROR
Michiko Chiyoda is a photographer and visual author who has been closely connected to Dodho Magazine both as a published artist and as a juror. Her work is driven by a sensitive, narrative approach and a strong belief in photography as a universal language and a space for creative dialogue.
“Dodho Magazine has always been a place where “creative dialogue” is born. Having shared my own stories as an author and encountered new talents as a juror, I have felt firsthand how sincerely this magazine pursues the true value of photography. The joy of seeing my work published and the experience of engaging with diverse perspectives have truly enriched my journey as a photographer.
Dodho cherishes universal stories that resonate across time. As we move toward this new chapter in 2026, I am confident that this platform will become an even deeper and more innovative source of inspiration for all creators.” – Michiko Chiyoda
For the past 10 years, we’ve published 34 uninterrupted print editions, showcasing the work of 204 photographers from 28 countries across five continents. Each artist goes through a blind jury system that strips away names and résumés, only the strength of the image determines the outcome. The result is a platform with thousands of printed copies and over 20 million digital downloads, placing every selected project in front of a truly global audience. It’s no coincidence that 80% of those who debut with us return for new collaborations.
The result is a platform with thousands of printed copies and over 20 million digital downloads, placing every selected project in front of a truly global audience. It’s no coincidence that 80% of those who debut with us return for new collaborations.The result is a platform with thousands of printed copies and over 20 million digital downloads, placing every selected project in front of a truly global audience. It’s no coincidence that 80% of those who debut with us return for new collaborations.
SUBMISSION
A SIMPLE PROCESS
The submission process begins by selecting the type of pack you wish to enter: Cover Pack or Magazine Pack. Each option offers three variants, depending on the number of images or projects you wish to submit. Once the pack is selected, the entire process is completed in a single registration. Within the same form, you will enter your details, upload the material, and complete the payment, with no additional steps or external processes.
All content must be submitted in one single compressed folder (.zip), properly organized. The folder must be identified with the author’s first and last name and include the images and, if the artist considers it necessary, the project text.
Fragmented submissions or individual files will not be accepted. The use of a single compressed file ensures a clear, efficient, and streamlined process.
Step 1: Choose your package
Step 2: Enter your details
Step 3: Upload your files
Step 4: Complete the payment
BELIEVING IN YOUR WORK IS GOOD. REACHING THE RIGHT PEOPLE IS BETTER.
MAGAZINE
Projects and portfolios published inside the magazine
1 Portfolio
€45
Editorial Consideration
- .
2 Portfolios
€75
Editorial Consideration
- MOST SELECTED
3 Portfolios
€90
Editorial Consideration
- .
3 Images
€45
Cover Consideration
- .
6 Images
€75
Cover Consideration
- .
10 Images
€90
Cover Consideration
- MOST SELECTED
COVER
Single images considered for the cover
COVER
Single images considered for the cover
3 Images
€45
Cover Consideration
- .
6 Images
€75
Cover Consideration
- .
10 Images
€90
Cover Consideration
- MOST SELECTED
SCHEDULE
THE KEY DATES
The dates outlined define the different stages of the process, from project submission to final publication, following a clear schedule and a pace that leaves no room for improvisation.
Each phase follows a defined and transparent structure, designed to ensure a rigorous evaluation and an efficient production process. Some stages require your direct involvement, such as submission and delivery of materials. Others unfold without your intervention, but every step is decisive for the final outcome.
What happens, when it happens, and what is expected at each stage is clearly established. From the submission deadline to the moment the magazine reaches the appropriate professional contexts, this is the complete path.
Submissions: From April 1 to May 31
Selection: From 2 to 11 May
Notification: From 12 to 13 May
Delivery: From 14 to 20 May
Publication: May 25
FAQ
WE COVER 95% OF THE QUESTIONS THAT MAKE PEOPLE HESITATE
Deadlines, formats, rights, payments, delivery, and publication details are explained below to help you submit with confidence. Please review this section carefully before submitting. If your question falls within the remaining 5%, feel free to contact us directly.
+ SUBMISSION
How can I submit my work?
Select the pack that best fits your proposal (Cover Pack, Magazine Pack, or both), complete the online form, upload your projects or images within the same form, and finalize the payment by card or PayPal. The entire process is completed in a single registration and only takes a few minutes.
How many submissions can I send?
There is no limit. Each submission must be completed through a separate form and payment.
Can collectives or duos apply?
Yes. One person should complete the form as the main contact. The submission and credits will be attributed to the collective or duo as a whole.
+ FILES
What are the image requirements?
JPG format at 72 dpi and a minimum of 1200 px on the longest side.
Can I include an explanatory text or statement?
For the Magazine option, including a PDF inside the submission folder may help to contextualize the project. It is not mandatory. Up to you.
+ WORK ELIGIBILITY
Do the images need to be unpublished?
No. If they have already been published or have even received an award, that is not an issue, as long as you hold the rights.
Is there any time restriction on when the images were taken?
No. Dates are not a factor. The jury focuses on what the image communicates, not when it was made.
+ RIGHTS & LICENSING
Do I retain the copyright?
Yes. Your work remains yours before, during, and after the process. You only grant us permission to display it (magazine, website, and other promotional channels), always credited to you and solely for the purpose of promoting your work.
Can I revoke the license?
Yes. You may do so by sending us a written notice at least 15 days in advance, unless the work has already been printed or is in the immediate process of printing.
+ JURY PROCESS
What does the jury look for?
The jury evaluates work with a clear voice, a defined intention, and strong execution, in line with Dodho’s editorial approach. Priority is given to projects that offer a distinctive perspective and a coherent visual and conceptual framework.
When will I know if I’ve been selected?
Results will be communicated approximately one week after the submission deadline. All participants will be notified by email.
Will I hear anything if I’m not selected?
Yes. All participants will be informed of the outcome. In the weeks following the selection, access to the digital edition will be provided, offering context to better understand the editorial criteria behind the final selection.
+ BENEFITS & EXTRAS
What do I get if I’m published?
More than recognition: real visibility. Your work is shared with galleries, festivals, and agencies worldwide. This is not about exposure for its own sake, but about positioning your work in the right professional context.
Can I use the publication in my portfolio or website?
Yes. And you should. It adds credibility where it matters most: open calls, grants, exhibitions, and professional opportunities.
Is there promotion after publication?
Yes. Our work does not end with printing. We continue to share your work, credit you, and connect it with the appropriate audience.
Will there be interviews or features?
In selected cases, yes. Certain projects are chosen for interviews or in-depth editorial features.
+ PAYMENT & INVOICING
How can I pay?
However you prefer. We accept PayPal and credit or debit cards. All payment methods are fast and secure. We keep the process simple so you can focus on what matters.
Do you issue invoices?
Yes. You will automatically receive a receipt once the payment is completed. If you need an invoice with your billing details, send us the information and you will receive it within 48 hours.
Are taxes included in the price?
Yes. The displayed price is the final price. If you are located in Europe and VAT applies, it will be added automatically based on your country.
Can I request a refund?
Only in cases of duplicate payment or technical error, provided you notify us within 48 hours. Once the submitted file has been opened, refunds are no longer possible.
+ DELIVERY CONFIRMATION
How do I know if you received my files?
Once you submit your files, our system will automatically send you a notification confirming that the material has been successfully received and stored on our server. We then review the submission records, and if we detect any issue, we will contact you directly to resolve it.
+ DATA & PRIVACY
What do you do with my data? Is it going to be floating around forever?
Not at all. It’s stored on secure servers in the EU, with encryption and restricted access. It’s never shared, never sold, and it’s automatically deleted 24 months after the call ends. We only keep it longer if legally required. That’s it.
+ SUPPORT
Got a question? Just ask.
Write to us at magazine@http://localhost:8080/ (Monday to Friday, 10:00–18:00 CET). We reply within 24 business hours. No question is too small — if it’s on your mind, it deserves an answer.
SOME AWARDS PORTALS ARE ALREADY FEATURING THIS CALL
Many more are sharing it, but these have explicitly asked to be visible. If they’re here, it’s because they also believe this opportunity deserves to be seen. Many more are sharing it, but these have explicitly asked to be visible. If they’re here, it’s because they also believe this opportunity deserves to be seen.
