EuropeNewsPaul Strand : Photography and film for the 20th century

Fotomuseum Winterthur presents the first major retrospective in Europe of the work of Paul Strand (1890–1976), one of the great photographers of the twentieth century.

Fotomuseum Winterthur presents the first major retrospective in Europe of the work of Paul Strand (1890–1976), one of the great photographers of the twentieth century.

The exhibition reveals the multiplicity of his practice, from his early efforts to secure photography’s position as a modernist art form, to his embrace of film-making, to his important post-war photo books. Strand is revealed as a complex and contradictory figure: a stubborn aesthete, a communist sympathiser and a pastoralist motivated by a strong sense of social purpose.

The exhibition begins with Strand’s rapid mastery of the prevailing avant-garde styles of the 1910s and his growing interest in urban subject matter, including a series of innovative close-up portraits of people taken on the streets of New York. Strand’s sense of modernity was informed by extensive travel and between 1932 and 1934 he photographed in Mexico, deepening his engagement with the politics of the left. Deeply affected by the world economic crisis of the 1930s, Strand took an increasing interest in film-making as a means of encouraging social change. Films such as Redes (1936) and Native Land (1942) reveal the extent of his political commitments. After 1945, Strand devoted his energies primarily to the production of photo books, offering him the opportunity to create complex portraits of people and place. The exhibition concentrates on three of his most important productions, including his portrait of the Italian village of Luzzara, published as Un Paese in 1955. Concentrating on the lives of ordinary people, Strand’s photography provides a moving testimony to the democratic qualities of everyday life.

Paul Strand

The exhibition is organised by the Philadelphia Museum of Art in collaboration with the Fundación MAPFRE. It is accompanied by a fully-illustrated catalogue co-published by the Philadelphia Museum of Art and Yale University Press in collaboration with the Fundación MAPFRE.

The exhibition in Winterthur was made possible by the Vontobel-Stiftung.

Further support from the Terra Foundation for American Art, Ars Rhenia – Stiftung zur überregionalen Förderung von Kunst und Kultur and theWalter Haefner Stiftung.

7 March – 17 May, 2015

Fotomuseum Winterthur

http://www.fotomuseum.ch/

Grüzenstrasse 44 + 45
CH-8400 Winterthur (Zurich)

Magazine

CALL FOR ENTRIES

AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE

DEADLINE: TUESDAY, NOVEMBER 31, 2021

PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
https://www.dodho.com/wp-content/uploads/2020/11/Z.jpg

Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

https://www.dodho.com/wp-content/uploads/2020/03/Landscape-and-Nature-dPS-Photography-Course-300x250-1.jpg

Landscape & nature photography is one of the most challenging genres and disciplines to learn, and the costs of getting it wrong can be disappointing

300x250

With ON1 Photo RAW you get the professional photo editing tools every photographer needs to get professional results while keeping your workflow.

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

PRINTED EDITION
Interview with Roger Ballen, One of the most influential photographic artists of the 21st century

DnaInterview with Roger Ballen, One of the most influential photographic artists of the 21st century

Roger Ballen was born in New York in 1950 but for over 30 years he has lived and worked in South Africa. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small South African towns.
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
TRENDING STORIES
Father figure by Elena Liventseva

ConceptEuropeFather figure by Elena Liventseva

My project is an attempt to see, approach, and recreate the image of my father, to live out my feelings for him. I didn't know my dad, I didn't know him and my mom as a family, as a couple, they divorced when I was about 7 months old.
In Service by Julia Fullerton-Batten

ConceptEuropeIn Service by Julia Fullerton-Batten

During the Edwardian era in Britain (1901 to 1911) over 1.5 million men and women were employed as servants in the homes of the wealthy. Being ‘In Service’ was a way to escape poverty, but it was not the relatively comfortable life frequently illustrated in today’s media.
What’s your inspiration? by Lisa Shalom

AmericaConceptWhat’s your inspiration? by Lisa Shalom

I always cringe whenever I’m required to come up with a landscape photo for a photo contest or magazine submission. Sure, there are some phenomenal landscape photos out there, but in my opinion, landscape photography is simply a matter of being in a certain place and knowing how to use your camera.
Inner state by Maria Mavropoulou

ConceptEuropeInner state by Maria Mavropoulou

In this stagnant space, in this gap between eras, Greek landscapes look bizarre, cut off the real world, pending for their unknown fate, as a visualization of the inner state of their inhabitants. The horizon is hidden, preventing us to see what's yet to come.
Deep In A Dream – Sheep Meadow by Michael Massaia

AmericaB&WConceptDeep In A Dream – Sheep Meadow by Michael Massaia

"Deep In A Dream - Sheep Meadow" is a portfolio that I started in 2006 but ultimately shelved because of my discomfort taking such intimate & vulnerable pictures of people while they were completely unaware.
Waking Life by Max Moldau

B&WConceptEuropeWaking Life by Max Moldau

Waking Life is a homage to the disappearing monochrome dream world. Some researchers suppose that it was the childhood exposure to black-and-white photography, movies and later television
Holga camera ; Nude series by Jerry Cargill

AmericaNudeHolga camera ; Nude series by Jerry Cargill

Photographing with the Holga, a toy camera, creates an image that more closely approximates natural human vision, with vignetting and darkening edges.
iPhone Photography; Passing Praise & Prosperity by Star Rush

AmericaB&WStoryiPhone Photography; Passing Praise & Prosperity by Star Rush

"Towns are like people. Old ones often have character, the new ones are interchangeable," Wallace Stegner, American writer. I'm not convinced of Stegner's point about new places, because I'm working out what I think about "character" and changeability.
Protests after George Floyd’s murder by Manuela Thames

AmericaStoryProtests after George Floyd’s murder by Manuela Thames

When George Floyd was murdered by a policeman here in Minneapolis, my initial thoughts were: “Not again. Why does this keep happening?” What followed after were days and nights of protest, unrest and destruction.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

ConceptEuropeFeaturedFictional narrative photography; Birth Undisturbed by Natalie Lennard

Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

EuropeFeaturedStoryGreenland; Stories from the Sea by Camille Michel

Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

B&WEuropeFeaturedShotIntimate diary; Jazz Notes by Giuseppe Cardoni

It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
https://www.dodho.com/wp-content/uploads/2021/06/getty-images.png
https://www.dodho.com/wp-content/uploads/2021/06/black-eye.png
https://www.dodho.com/wp-content/uploads/2021/06/Edelman-Gallery.png
https://www.dodho.com/wp-content/uploads/2021/06/Medium.png
https://www.dodho.com/wp-content/uploads/2021/06/Opiom.png
https://www.dodho.com/wp-content/uploads/2021/06/Filter-Photo.png
https://www.dodho.com/wp-content/uploads/2021/06/head-on.png
https://www.dodho.com/wp-content/uploads/2021/06/Photo-independent.png
https://www.dodho.com/wp-content/uploads/2021/06/lagos-photo.png
https://www.dodho.com/wp-content/uploads/2021/06/gtb.png
https://www.dodho.com/wp-content/uploads/2021/06/IPA.png
https://www.dodho.com/wp-content/uploads/2021/06/in-focus.png
https://www.dodho.com/wp-content/uploads/2021/06/image-rights.png
https://www.dodho.com/wp-content/uploads/2021/06/riga.png
https://www.dodho.com/wp-content/uploads/2021/06/BGD.png
https://www.dodho.com/wp-content/uploads/2021/06/ICP.png
https://www.dodho.com/wp-content/uploads/2021/06/Mifa.png
https://www.dodho.com/wp-content/uploads/2021/06/miami.png
https://www.dodho.com/wp-content/uploads/2021/06/viewbug.png
https://www.dodho.com/wp-content/uploads/2021/06/OFF.png
https://www.dodho.com/wp-content/uploads/2021/06/KLPA.png
https://www.dodho.com/wp-content/uploads/2021/06/rotterdam.png
https://www.dodho.com/wp-content/uploads/2021/06/Photo-Nola.png
https://www.dodho.com/wp-content/uploads/2021/06/clampart.png
https://www.dodho.com/wp-content/uploads/2021/06/dripbook.png
OTHER STORIES
X
stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Issue #14 | September 2020
Current Issue
Vicky Martin
Ryotaro Horiuchi
Susanne Mildeelberg
Diego Bardone
Nicky Hamilton
Alain Schroeder
Printed on 80# matte paper 22x28cm | 100 Pages
Showroom
September 7 to October 31, 2020
Julia Fullerton-Batten
LOOKING OUT FROM WITHIN
Get in touch
How can we help? Got an idea or something you'd like share? Please use the form, or contact hello@dodho.com
Thank You. We will contact you as soon as possible.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Are you ready?
Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
NEW!
FOLLOW US.
Subscribe now and get a free access to a curated list of resources.
Feel free to contact.
2017 (C) All rights reserved.
ghfd