Looking in | Lost society by Mieke Douglas

Peering into dark, empty spaces. On the outside, looking in. Camera pressed up to smeared, steamy glass. Glimpses of shiny Christmas decorations; cleaning products and hand sanitisers; abandoned drinks and occasional humour. Grasping at fragments. 

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

https://www.dodho.com/wp-content/uploads/2023/12/ban25e32.jpg

Peering into dark, empty spaces. On the outside, looking in. Camera pressed up to smeared, steamy glass. Glimpses of shiny Christmas decorations; cleaning products and hand sanitisers; abandoned drinks and occasional humour. Grasping at fragments. 

Struggling businesses forced to close yet again this holiday season to halt the pandemic, left deserted. Silent. Dark. Looking in as an observer, no longer a participant. Imagining the fun and the life and the noise. Visceral pleasures are tempting but still dangerous, out of reach. Our lives from before, ever more distant. The allure is becoming irresistible. Evocative and otherworldly. Unimaginable. Fading. Photographing to try to remember. 

On 15 Dec 2020, the night before the UK returned to the highest level of coronavirus restrictions, meaning all bars and restaurants would have to close at 00.01, our family enjoyed a last supper in a small local, family-owned restaurant. 

The atmosphere here, and apparently in bars and restaurants across the country, was curiously celebratory. Like one last Mardi Gras before the sacrifices and fasting of Lent.

As I looked around the room I was touched by the huge effort, time and money spent by the owners, to make everything as safe and comfortable as possible: cleaning and sanitising products; plastic partitions; patio heaters and blankets. But also, and somehow more poignantly, the elaborate Christmas decorations just put up in preparation for their busiest time of the year, which was now not to be.

The next day I returned to find this restaurant and others like it, now shut but otherwise left untouched. I looked in through the glass and photographed into the darkness. I became spellbound, beguiled by every scene frozen in time, like a metaphor for our lives. Each story unique.

I spent the next four months of lockdown walking the streets of London – out most mornings for an entire winter, usually on my own, in all weather – sometimes too numb from wet and cold to even press the shutter. Driven by some palpable sense of urgency I couldn’t quite explain, I just had to photograph every single one I could reach on foot, within the quarantine regulations, to create a record of these spaces and document our collective pause.

About Mieke Douglas

Mieke is a Dutch and Canadian Fine Art Photographer, living in London. She is known for her atmospheric lighting and surreal perspectives. Her work is described as moody, almost painterly, with an underlying sense of unease.

She has recently won several major awards including: International Photography, Chromatic, Minimalist, Julia Margaret Cameron, Budapest International and British Photography Awards. Mieke was also Shortlisted for the Alpha Female Award at the Sony World Photography Awards and for the Association of Photographers Emerging Talent Awards.

Her work is held in private collections and has been published and exhibited internationally, including at the Royal Academy of Arts in London. She has recently had her first Solo Show, ‘STILL”, in London.

Mieke has just won Open Image Barcelona and will have her ‘White Horses: Covid Dreams’ series exhibited in Barcelona this Autumn. She is an ArtCan Artist and a member of The Royal Photographic Society, The Association of Photographers, London Independent Photography and Photofusion. [Official Website]

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.