Chongqing, on the four shores of passing times by Cyrus Cornut

Chongqing municipality, People’s Republic of China, population of 34 million. One of the world’s highest demographic and economic growth rates.The central urban area of 15 million souls is infused by almost 300 000 newcomers every year. 

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Chongqing municipality, People’s Republic of China, population of 34 million. One of the world’s highest demographic and economic growth rates.The central urban area of 15 million souls is infused by almost 300 000 newcomers every year.

Chongqing, the “Mountain City,” at the confluence of the Yangtze and Jialang Rivers, struggles to break through the fog that covers it all year long.

Heir to the displaced from the Three Gorges dam and daughter to the Beijing authorities – who upgraded her to a municipality, raising her up to the same heights as her big sisters on the East coast – Chongqing has developed at a dizzying speed. Urban forms and infrastructure have sprung up, gravity-defying, embracing the shorelines of its four banks, each of them steeply carved out by the current of the water. The speed of urbanization has outperformed overtaken the slow rhythm of the fishermen, the erosion of the rivers, the powerful hatching of the mountains.

The uninterrupted dance of the cranes and the excavators stack people ever higher in an unsettling quickness. No obstacle remains to stop the skyscrapers from surging up. They reproduce themselves almost identically, like metastases. The transport networks cross the water, pierce through the rock, and climb the hills, defiant of the power of the elements. The river has become the artery that the makes beat an economic heart that is resolutely turned towards the economic conquest of the West by way of the new silk road.

Only the banks, almost wild, resist, remaining allied with the river and its caprices. People sitting on its embankments watch it meander, watch their sightlines get blocked out and its banks grow thicker. Here and there they still cultivate a few food-producing gardens while they wait fatalistically for the last bits of bare land to disappear.

About Cyrus Cornut

Cyrus Cornut, 43, Paris. Photographer, Architect of training, his work is oriented first of all on the city, its plastic, its evolutions, its traces, its voids, and on the human behaviors that it induces.

In 2006, his first work on Chinese cities was exhibited at the Rencontres Internationales de la Photographie in Arles under the artistic direction of Raymond Depardon. He was a member of the Picturetank cooperative agency which he joined in 2007, until its closure in 2017. In 2010, with the France 14 group, he exhibited “Voyage en peripherie”, work on the landscapes of mass housing in Île of France.

From 2011 his research also focuses on the place of plants in the urban landscape, but also to rural landscapes. Thus born “Alberstein’s trip” collaborative work that attempts the synthesis between different questions about the human, its natural environment, planned or relational and the time frame in which it evolves.

He is now developing a 4×5 medium format work that allows him to take a slow look at urban evolutions, in Asia, as in France, as well as a more plastician body of work mixing drawing, engraving and photography. [Official Website]

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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