Chicago; Stories to be Written by Steve Geer

I like to take long walks in Chicago, the city in which I live. Even though I’ve walked the same streets many times there are always new things to see.

I like to take long walks in Chicago, the city in which I live. Even though I’ve walked the same streets many times there are always new things to see.

Not new big-picture things, but little things – a discarded face mask, a lost toy, a striking shadow, the reflection in a puddle, a broken mirror. Each of these little things has a story to tell.  In the series “Stories to be Written” objects discovered by chance in Chicago are shown in their found context – the ground on which they rest and the towering environment around them. Their unwritten stories are like latent images waiting to be developed with the experience and bias of the viewer.

Each image has been made by combing two photographs taken from one spot, the place where the object was found. At each location I have chosen to look vertically straight-up and then straight-down, plus or minus a few degrees. In the digital darkroom the two photographs are combined.  This produces “you are standing here” images in which both the texture of the ground under foot and the neck-straining world above are revealed. Somehow our brains are able to disentangle these mixed up-down composite views and interpret the results. The Cubist painters understood our ability to do this when they constructed canvasses that showed multiple views of a subject. The merged up-down images in the present series can be thought of as the inverse of these Cubist paintings. Instead of looking at a fixed point from multiple directions we are looking outwards from a fixed point in two directions.

On the streets we are interpreting images all the time as our brains synthesize the “real world” based on what we actually see, what we expect to see, and what our other senses are telling us. Our expectations help us make sense of the visual world. The merged up-down images are perhaps relatively easy for us to interpret because we have strong expectations for what things should be up and what should be on the ground, and in sorting this out we begin to write our version of the unwritten story. [Official Website]

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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