This project was made during a recent artist residency at the Pouch Cove Foundation in remote Newfoundland, Canada.
Using a makeshift still-life table covered with a paper tablecloth in the live/work space that became my home during my stay.
I created still-life compositions with objects I found in the studio, food items, and whatever foliage I could forage each day in the rough wasteland directly outside the building. The still-life genre holds a fascination for me; I have always reflected on the stories that objects carry. Each day of the residency, I enjoyed making simple compositions referencing the symbolism of early vanitas paintings, a reminder to the viewer of the fragility and transience of life. Placing found objects in dialogue with each other and photographing them under the vagaries of the ever-changing natural light in this remote coastal area, I assembled a series of quiet tableaux.
All We Find, All We Leave Behind focuses on the layering of history in a place, both in its original life as a school with shelves bulging with old books and, more recently, as a temporary home to the many artists who inhabited the space before me to make their own work. The studio resonated with the traces of all those people I would never meet dusty leafed-through books, paint-stained pots, seashells and pebbles gathered from the nearby coast which told a story of past and present. I too left behind my own objects for the next artist to find.
About Julie Derbyshire














