B&WConceptEuropeAbstract Photography by Mathias Soulon

What remains of our lost enjoyments? The line disappears and it remains that the moving dreams of our past loves, fleeting memories, sensations of the caresses under the alcove.

What remains of our lost enjoyments? The line disappears and it remains that the moving dreams of our past loves, fleeting memories, sensations of the caresses under the alcove.

Through this work I ask myself the question: What remains of our lost enjoyments? Time fades the memory of the shape of the faces, the shape of the bodies. But the general sensations of these moments of pleasures and the certainty of having lived them remain. I am therefore trying to transcribe here the imprecise flashes arising from memory, the furtive images of body-to-body, which come to mind many years later. I am a self-taught photographer, I am interested in the way our brain interprets, gives meaning to abstractly forms captured by the eye.

About Mathias Soulon

Born in France in 1972, Mathias Soulon grew up in an environment of artists, painters, ceramists, sculptors friends of a father also painter. After scientific studies in the field of materials. He has moved away from the medium of artistic creation. He worked for more than 20 years for a large study center where he was allowed to use powerful microscopes and feed on contemplations of the fantastic landscapes of the infinitely small.

It is therefore equipped with Canon and a macro lens that he went to explore his environment, preferably old buildings or dilapidated factories sometimes completely invaded by nature in search of symbolic and abstract images found at the abandonment sometimes on old rusty portals, on stains, traces, drips, peeling paint etc … Like a scientist, he focuses on the details of things to draw a new image prepared independently of the first object  in order to extract the extraordinary from the ordinary. [Official Website]

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

Abstract Photography | Mathias Soulon

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PRINTED EDITION
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Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
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I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

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I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
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There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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