EuropeNudeNaked; YBN by Laura Pannack

Nakedness is usually reserved for the private realm. We make sure the curtain is pulled before we undress. On the beach, we wriggle awkwardly behind towels to preserve our modesty and a dropped corner is cause for deep blushes.

Nakedness is usually reserved for the private realm.  We make sure the curtain is pulled before we undress.  On the beach, we wriggle awkwardly behind towels to preserve our modesty and a dropped corner is cause for deep blushes.  We keep our private parts hidden from view, known only to ourselves or given as a gift to a lover.  It is about more than just skin.

Nakedness is a concept as much as it is a state of being, and one wreathed in paradox.  With it are bound notions of privacy, self possession, jurisdiction.  It can connote innocence or sexuality, purity or depravity.  It can signify both power and vulnerability, used to liberate or humiliate.

We arrive in this world without a stitch on our backs, raw-skinned and unadorned.  In infancy and childhood, nudity is still considered natural, a sign of prelapsarian purity, untainted by the unseemly connotations that begin to attach themselves as we draw nearer to adolescence.   As newborns we are free, unencumbered with the societal expectations of clothing, the delineations of style, the consumerist pressures of fashion.  All these are yet to come.

shaun

As one YBN member explains:

“I was drawn in by the great equalizing aspect of naturism. It is an interesting question how far people would retain their respective rank if they were divested of their clothes. When all other things are held equal, when nude, a rich person appears no different than a poor person, or a really fashionable person appears no different to someone who has to make do with the clothing they have. Thus, these classifications disappear and the playing field is leveled. In the naturist environment, I feel like I’m their equal – I’m not better than them, nor they are better than me, we are just human. By removing clothing I feel a barrier between people is gone and I’m more able to meet and to talk to others without the feeling that I or they have something to hide.”

In order to fully understand my subject and gain the trust and respect of the people I wished to photograph I felt it was essential for me to cross over to their side and be naked. By placing myself in a vulnerable situation, the connection with my subjects was one of mutual understanding and equality. [Official Website]

This project consists of young British naturists aged between 17 and 30.  I aim to capture them as individuals, not just naturists.

vicky rolls a cigarette

alex and jon andre ashley boules 1  carl dan draughts float fooseball isi at home isi manchester sun club jon at home jonathan at home in kent jordan kay land lounge

lunch at manchester sun and air

pool 2 pool puzzle speilplatz trival pursuit vicky wimbledon woods world cup

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
TRENDING STORIES
Conversations with myself by Jo Ann Chaus

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Conversations with Myself was selected and published in our print edition 17. This work represents a coalescence, of becoming. In looking at myself channel my mother, and every woman who came before me. 
Translations by Véronique L’hoste

ConceptEuropeTranslations by Véronique L’hoste

A place. Insignificant, work of the hand of man. Where are we? In a nondescript urban space: a commercial, industrial area, offices? It doesn’t matter. It is a world without a soul, where it’s neither good to live nor work.
Self taught photographer; Graciela Vilagudin

ConceptEuropeSelf taught photographer; Graciela Vilagudin

I consider myself as aself taught photographer. I have a backgroundworking on TV series and films in Galicia. I also completed an Audiovisual Degree in Vigo (Spain) in 2001.
Interview with Patty Carroll; Published in our print edition #11

AmericaDnaInterview with Patty Carroll; Published in our print edition #11

My photographs in this series are metaphors for the interior lives of women; how we substitute everyday objects and artifice and turn them into obsessions. As for the Nightmare picture, I was thinking about the monster under the bed that we knew was there as children.
Festival of Lilies by Umberto Lucarelli

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The Festival of Lilies is a popular Catholic celebration that takes place every year at Nola (Naples, Italy) on the occasion of the patron saint celebration dedicated to San Paolino.
Sascha Laue Director of Galerie 94

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The Galerie 94 has started in May 2015 after the end of 2014 offered me big a 220m2. I had long again want to provide a platform and to organize exhibitions.
World Was in the Face of the Beloved by Eric Weeks

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My photographs from the series World Was in the Face of the Beloved are about a character who is becoming one within the landscape.
India; Processing of Saree from raw yarn by Shaibal Nandi

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In earlier days, cloths were made through manual process in India. Yarn was made from raw cotton through a handmade machine called Charka which was made of bamboo and wood.
Rohingya Refugees in Bangladesh by Probal Rashid

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Approximately 70,000 Rohingya Muslims have fled from Myanmar to Bangladesh since October 9, 2016 after the Burmese military launched clearance operations. The U.N. human rights office said in their report that Myanmar's security forces have committed mass killings
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

ConceptEuropeFeaturedFictional narrative photography; Birth Undisturbed by Natalie Lennard

Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

EuropeFeaturedStoryGreenland; Stories from the Sea by Camille Michel

Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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