AmericaBioPhoto-impressionism; Trees by Ursula Abresch

My photography style of photo-impressionism allows for the abstraction of subjects and makes it possible to express feelings more fully without having to say a word. It allows me to put down thoughts, dreams, and fleeting moments in time with my pictures.

My photography style of photo-impressionism allows for the abstraction of subjects and makes it possible to express feelings more fully without having to say a word. It allows me to put down thoughts, dreams, and fleeting moments in time with my pictures.

There is more to a moment than what you see with your eyes. There are the thoughts at the time, the sounds, the smells, what you touch … and more. All these are real and integral to my photography. This approach works very well for photographing trees.

I have a real love for trees. Where I live, there are many, and they are beautiful in all seasons of the year.  In winter they can look delicate and haunting.  In spring they shyly glow at first and then play hide-and-seek behind curtains of green. In summer they not only provide cool shade, but often also gently whisper their stories to anyone walking by. And in autumn, well, they shine in autumn!  They dress themselves up in many beautiful colours for a glorious dance before going back to the long sleep of winter.

Yellow_Heart Ursula Abresch
Trees | Ursula Abresch

I like to shoot trees as individuals or in groups.  I like to shoot them sharp and clear, standing out against rocks or hillsides or the sky. In camera, I like to use motion blur, zooming, multiple exposures, selective focus, focus-through to shoot trees.  Whatever works for the situation at the time. I also like to experiment in post-processing, to bring out the best in each shot. I use a lot of different techniques. I love going back to the same tree or group of trees, over and over, at various times during the day and in various seasons, getting to intimately know that particular place, eventually bringing out the character of the tree or group of trees with my photos. There are so many different ways to see them: gentle, dramatic, eerie, stark, powerful, delicate, peaceful, and on and on.  I often go out with a specific idea in mind, or a subject I want to capture, but then I find something different and go off in that direction.

I mainly work in colour. I treat colour as a subject, and as essential for the creation of a photo. I think my mind works in colour, and what colours are available in any situation are primal when deciding what to shoot and keep. My favourite colours are the naturals that bring to mind water and light and space. I tend to use secondary colours more so than primaries, except for blue, which I use a lot, even in tree pictures.  But even with blues, they tend to be watery, slightly to the green or the purple, hardly ever “pure”. I have a lot of gold tones in my pictures, to my eyes they are the perfect complement to the watery blues. I love oranges and greens and use them extensively in tree pictures. [Official Website]
The_Lake Ursula Abresch

Spring_Tree Ursula Abresch
Trees | Ursula Abresch

 Spring_Has_Sprung Ursula Abresch Spring_Dance Ursula Abresch Snow_Storm Ursula Abresch Snow_Day Ursula Abresch Painted_Cypress Ursula Abresch Out_Of_This_World Ursula Abresch Nothing_Gold_Can_Stay Ursula Abresch Lodgepoles Ursula Abresch Kootenay_Fall_4 Kootenay_Fall Hang_On Ghost_Forest Fog Fall_Riot Fall_Party Fall_Light_2 End_of_Autumn Come_Walk_With_Me Bittersweet Birches_in_Spring Autumn_Breeze An_Autumn_Song A_Walk_In_The_Woods

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Jovana Rikalo ; Fine Art Series

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The current pace of development around the world has brought widespread concern about a loss of diversity in nature and the need to protect endangered species.  But the changes brought by the forces of globalization, industrialization and urbanization affect not only animals and plants.  People and cultures, ways of thinking and ways of living that have been in existence for thousands of years, are also at risk.  
Patagonia; The Damned and the Beautiful by Brigitte Grignet

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FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

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These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

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Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

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Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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