Over the past three decades, my life as a visual artist has been intimately linked to my role as a teacher; each part of the equation being enriched by the experience of the other.
Over the past three decades, my life as a visual artist has been intimately linked to my role as a teacher; each part of the equation being enriched by the experience of the other.
It is of great significance that the word ‘commute’ has an added meaning; to commute is to change one kind of payment or obligation for another, that being the underlying factor in my becoming a commuter passenger.
I have spent the greater part of my life living in Manhattan, a city with a constantly changing visual plan that continues to inspire me to explore its physical complexity.
The images in this body of work reflect my ongoing fascination with urban environments and the impact that commerce has on them. It is my attempt to resolve the visual tension created by the over-development of the city that I have lived in and loved most of my life.
I began exploring the streets of Manhattan with my camera at the end of 2001. Manhattan, a place where styles intersect, decades collide and cultures converge as the numbers of buildings in our borough explode.
A portrait is a crystallization of human relationship, a privileged connection between photographer and subject.