Women who do not dress up but wear all their souls, none excluded, showing in their gaze the truth, courage, challenge, self-awareness of what can be and give without any mediation, without opportunism or hypocrisies
Ghosting is generally defined as breaking up with someone by ignoring this person, avoiding any kind of contact in real life. It means that someone suddenly disappears from another person’s life without any explanation
Marcel Kolacek is a Czech Award-Winning freelance photographer who focuses primarily on BW humanistic, documentary photography. At the same time, he devotes attention to a completely different discipline- nudes.
In Marco Tenaglia’s latest works there are a more narrative depth and a cinematic approach to create a story in a single shot or a sequence where women are fierce and fearless and unmask their feminine-masculine attitude to be in control of every situation
Like some photographers, I am interested in Truth and Beauty. I am interested in quietude, in making the viewer spend some time in front of an image and become a partner in the process of seeing. The function of art is not to escape reality, but to help us experience it more completely.
It touches a visceral urge to fortify ourselves, to add a shield to our vulnerable body. Nyari’s series Valkyrie Ink portrays Eowyn, a young woman who endured a great deal of trauma since her childhood and who
After twenty years of experience as both art director and advertising agent, which he developed through working at his agency Visual Creative Studio, he has found in photography means for artistic expression that allow him to express his creativity freely.
Michał Drozd (born in 1961) is a Polish documentary, portrait and art photographer, who gained international recognition through numerous awards and distinctions in both Polish and international photography competitions.
The new project from Andreas Theologitis is a study of the human body. His photographic work turns insistently around the exploration of particular aspects of the nude, where aesthetics are combined with an almost ideological dimension.
When I finished my first novel, about one year ago, besides a sense of relief (I spent over a decade working on it), I wondered if there were any readers left in the world. At a very basic level, my book is a story about a photographer who needs a rebirth.
At the moment Peter Zelei creates images, but it wasn’t always like this. He is originally a trained pharmacist. He actually has a master and a Dr. title. But he has tried lots of things in the past years.
There is no such thing as compromising with nature; we simply abide by how it lives and exist as a part of it. Nature is very relevant to each individual’s well-being, but more so than it is part of us, we are part of it.
This series depicts the process we all go through in learning to love oneself. It is an awkward, joyful, illuminating, exhausting, humorous and messy affair. Rapprochement is a word I believe approaches this state.
Olivier Valsecchi’s new series “Amazon” is a gallery of post-apocalyptic portraits where half-prehistoric half-Disney characters are photographed in front of an ancient wall carpet depicting an eerie jungle.
It all started with a dream, a collection of fears, and a few questions. A dream of a nude woman walking inside a bookstore on a rainy night, leafing through books damaged by rain. The bookstore had no roof, the woman looked lost, and the rain was turning all the pages into mush.
Sensual Fragments is meant to be an ode to sensuality in which the women is displayed in her purest form. As part of a minimalist approach, this series leaves no room for any tricks so as to focus only on the essential.
Artist Reka Nyari has been shooting nudes all over the roofs of New York City for the past 3 years. Inspired by her feeling of loneliness from when she first arrived to the city, as well as her desire to conquer the Big Apple.
There is a species of frog whose brain will not register if lunch is moving out of reach of its sticky tongue. Its eyes still send signals of a receding meal, but it has evolved in such an extraordinary manner, that there is no part of its brain allocated to receive those signals.
Barbara Iweins is a Belgian photographer who has lived for some time in Amsterdam.She is now back in Brussels with her latest delicate photographs of women bathing. A collection of vulnerable moments infused with soothing colors of milky waters with hues of pink, mint and blue.
In this series I present the nude body as a detail, moved into the background. The architectural lines are simple, the posture is straight, natural and static. The face is relaxed and without emotional expressions. A nude that is reduced to simple presence.
Sooner or later we think about our ancestry, about land we have sprouted from and will go into. The project “Roots” deals with two planes: ongoing author’s life with its comfortable conditions of existing and affections and life on the land with its hardships and worries,
I believe that, although photography is somehow based on reality, every photograph is only partly objective, and is always an interpretation of that reality. I love photographing the nude. In this case, I might say I’m not interested in glamour photography.
When I first started taking erotic photographs they were for myself and nobody saw them apart from a few friends. They languished in my photo albums for some years until my first book, Bernadinism: How to Dominate Men and Subjugate Women, was published in 2001 by a Swiss publisher.
Nakedness is usually reserved for the private realm. We make sure the curtain is pulled before we undress. On the beach, we wriggle awkwardly behind towels to preserve our modesty and a dropped corner is cause for deep blushes.
Merely a portraying of nudity not in its simplistic undressed over-arousing form, more like its intimate, exposed gift of closure in a woman’s own space. More delicate or abrupt, in a rather organic relation to her personal background.
The “Féminité” wants to be a collection of shots taken from independent sets it as a collection of set.Vorrei conclude this personal quest of images with an exhibition (the second in this case) that collects the essence of what I wanted to tell and tell.
Upon viewing her work, Jennifer Massaux might seem to some, a comfortable veteran… But once taking into account that she’s only been behind the camera for just under a year and a half, the enormity of her talent quickly becomes apparent.
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