B&WEuropeNudeIntimacy by Roberto A. Cabrera

When I photograph bodies I tend to see them as abstract forms. I like to catch the fragment, but also certain intimate atmosphere that should not be always plainly erotic.

When I photograph bodies I tend to see them as abstract forms. I like to catch the fragment, but also certain intimate atmosphere that should not be always plainly erotic.

I believe that photography can show  bodies in a certain manner which is free from the way that Western Art has treated the topic. The distortion of perspective due to lens, how details are  isolated, the pose of the body and its relationships with space are elements that  show how original the approach of photography to nude can be. The photographs of this portfolio have been taken using Ilford films (Delta 400 and HP5+, pushed at 1600 ASA or 3200 ASA, and developed with Ilford ID-11 or Microphen).

The prints were made on Ilford Multigrade IV with a Beseler 23CII XL, using a El-Nikkor 50 mm f/2.8N enlarging lens and then developed in Ilford Bromophen 1+3. The photographs were scanned from silver gelatin prints using an Epson Perfection V700 Photo scanner.  [Official Website]

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

Intimacy | Roberto A. Cabrera

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I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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