EuropeNudeNaked body; Humanopolis by Jose Ignacio Hernandez

The naked body of a man as a symbol stripped of all sexual, economic, racial, political and social conditions. The images recreate, reconstruct the city through the intervention of the naked body with the urban space.

Humanopolis is a photographic project that aims to humanize the city, recovering the initial destination for which is was built and to make the citizen see that it is at his service and that he has to feel it what way. Humanópolis, shows the interconnection of man with the city, uses the metamorphosis of the body with the landscape of the city, intervenes in public space. The naked body of a man as a symbol stripped of all sexual, economic, racial, political and social conditions.

The images recreate, reconstruct the city through the intervention of the naked body with the urban space. Man merges with space and matter with form. Crossing the skin as a human boundary and crossing the surface as an urban boundary. The limits of the body with the limits of the city to create a mind without limits and an open city. Our physical space with our mental space, from the intimate to the public, from the interior to the exterior. Body and space, skin and stone.

Terms like origin, growth and evolution are common between man and the city. The socio-cultural changes in the cities reflect the historical values of the territory, the identity. People have to recognize their individuality but at the same time their condition of globality by integrating themselves into the public space. Man occupies the urban soil, and in this way, we give meaning to the space, one needs the other, the vulnerability of the body that merges and projects itself with its environment. A body doesn´t make sense either. The city is proposed as a product of man´s need, constituting his means of expression.

Man grows and the city with him according to its needs. Architecture as an urban expression and the body as a human expression Public spaces, spaces of identity. There has always been an analogy between the constitution and structure of the city and of the man, a city must have a head as well as nerve centers, must be able to breathe widely and have an adequate arterial system. The brain and the heart as fundamental parts of the urban fabric would be represented by the cultural centre and the public square. The city as a product of its society, a reflection of the man who generates it. 

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

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Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
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I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
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Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
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I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
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I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

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There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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