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EuropeShotGlass by Laura Pannack

This questions how people often object to having their portrait taken and how they react when faced with the situation. I denied my subjects any control over the image taking as I was aware that as photographer’s their awareness and involvement would be much more apparent.
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With a photographer as my subject I placed a sheet of glass between myself and the subject

symbolizing the glass of the lens, which is the only obstacle from actual contact.

Each subject then closed their eyes to ensure they were unaware when I was going to take the photograph .This questions how people often object to having their portrait taken and how they react when faced with the situation. I denied my subjects any control over the image taking as I was aware that as photographer’s their awareness and involvement would be much more apparent.

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About Laura Pannack

Laura Pannack is a London based Photographer. She was educated at the University of Brighton Central Saint Martins College of Art and LCC. Her work has been extensively exhibited and published both in the UK and internationally, including at The National Portrait Gallery, The Houses of Parliament, Somerset House, and the Royal Festival Hall in London. In 2010 Laura received first prize in the Portrait Singles category of the World Press Photo awards. She has also won and been shortlisted for several other awards including The Sony World Photography Awards, The Magenta foundation and Lucies IPA. She was recently awarded the Vic Odden by The Royal Photographic Society award for a notable achievement in the art of photography by a British photographer aged 35 or under Her art focuses on social documentary and portraiture, and seeks to explore the complex relationship between subject and photographer.

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Laura is driven by research led self-initiated projects. In her own words, she does all she can “to understand the lives of those captured, and to present them creatively”. She is a firm believer that “time, trust and understanding is the key to portraying subjects truthfully”, and as such, many of her projects develop over several years. Her particular approach allows a genuine connection to exist between sitter and photographer, which in turn elucidates the intimacy of these very human exchanges. Her images aim to suggest the shared ideas and experiences that are entwined in each frame that she shoots. Laura largely shoots with a film camera on her personal projects, allowing her process to be organic rather than being predefined by fixed ideas, thus removing additional pressure on the sitter.  [Official Website]

Laura’s remarkable ability to build trust and respect with her subjects allows her to express a gritty vulnerability that is as sincere as it is elusive to capture.

Terry O’ Neill – Photographer

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Legal Note: The photographer attest that have full authorization to give consent to the publication of these photos or project and have the authorization and permissions of third parties. Guarantees that you have all the necessary communications of property and you have obtained all the necessary authorizations for any property, buildings, architecture, structures or sculptures appearing in your photographs.

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ISSUE 09

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