AmericaNudeFemale Nude; Ascension by Dave Hanson

Ascension is one of a multiple of photographic series that I have done in which I have tried to photograph the story, found between lightness and darkness, that a moment of luminosity tells through the flow of our energy pushing and pulling our forms.

I’m an artist with a life long passion for the medium of photography. I’m  from  Central Eastern Utah in the United States and for over three decades my art has encapsulated an eclectic range of subject matter.

I’ve been intrigued and inspired by everything from the  uniqueness of the human face and body,  to the historic footprints left by man on the land and of the beauty of landscapes throughout the United States and the world. My photographs represent the outcome of my  vision as translated through the passion  of my soul.  I incorporate digital, film and multiple historic alternative photographic processes to  capture and create unique images that represent a  collaboration between  myself, camera and subject producing tangible pieces of art.

Since 2005 my images have been exhibited in over 70 solo and group shows nationally and throughout the world. I have been published in multiple books and magazines and have been collected by individuals and museums. My photographs are elements of my ongoing visual journey. They are the outcomes of the variations of my thoughts and evidence of my presence in the places that I have been, the things that I have seen and of the people I have experienced. They tell of the moments that paused me in my footsteps long enough to awake me from life’s walking visual slumber. In a life of fabricated meanings, photography gives me the opportunity to question definitions and redefine my reality. They take my mind to a place where the verbal labels of subjects disappear and are replaced by subconscious visual form. My visual awareness corresponds with my development and growth as an artist.  I don’t view my images as either good or bad but instead only to the degree of success I feel that they have had in effectively translating my vision

Ascension is one of a multiple of photographic series that I have done in which I have tried to photograph the story, found between lightness and darkness, that a moment of luminosity tells through the flow of our energy pushing and pulling our forms. Einstein said that matter is energy, energy is light and that we are light beings. My desire is to capture the dance of this interplay of matter, energy and light in an image or series of images. [Official Website]

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Wildlife photography; Land of Giants by Will Burrard-Lucas

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Intimate portraits of animals; Behind Glass by Anne Berry

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Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Japanese Aquariums by George Nobechi

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Greenland; Stories from the Sea by Camille Michel

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Intimate diary; Jazz Notes by Giuseppe Cardoni

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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