Between busy traffic and streams of yellow cabs at Park Avenue in Manhattan you can spot very dapper looking gents standing calmly at the entrances to multimillion condos of Upper East Side area of New York City.
“A World of Lights” is a series of images that started 4 years ago, taken in various parts of the world, utilising diverse luminous objects that I find on the streets, camera movement and long exposure techniques.
«Between The Mountains» revolves around isolation and alienation, with the alpine scenery of Austria as a backdrop. The location is not a coincidence. In the winter, low elevation of the sun leaves many Austrian valleys in darkness
These photos represent the very best of my trip to Kenya that ignited in me such a fire for photography. The breadth of color that I experienced there, from the wildlife to the landscapes to an amazing sunrise awoke a passion that I had not known before and for which I am truly thankful.
As a born and bred Londoner and regular theatre goer, Dazeley had been intrigued to investigate and learn more about the history and what goes on behind the scenes in London’s amazing theatre buildings.
These images are taken in the Horn of Africa where the roots of humankind lie, and arguably is a region of the continent with one of the greatest ethnic diversities. The people are often tribal (Animist) in nature or have recently been converted from animism to Christianity or Islam.
Series “Northen Fort” Was captured in Liepaja. It is about Historical error , the consequence was the destruction of fort. Karosta was constructed in 1890-1906 as a naval base for the Russian Tsar Alexander III
‘Matador’ is my awkward air-kiss to Milan. An oblique portrait of the oblique city I’m struggling to call home. I’d love to say I skipped off the train, turned on a sixpence and effortlessly found the back of the net.
“Crash Landed” is a series of 10 photographs imagining an astronaut who suddenly returns to Earth and finds himself needing to readjust. The project is shoot in collaboration the British Art Director Gemma Fletcher.
My choice of subjects come from my interest of aesthetic and how we are able to shape the world around us. Each subject documents our generation, our growth, and connection to the environment around us.
In March of 2016 Alan Gandy and his wife Elle arrived in Vélez-Blanco for an overnight stay. Whilst sat outside Bar La Sociedad in the village that evening, they noticed that almost everyone frequenting the bar
My goal with this project is to raise awareness of mental health. “Between Intervals” is a plunge into the darker sides of the human mind, and the photographs are visual representations of conditions associated with mental illness.
I am delighted to be featured as the winner in the Dodho Black and White 2017 Award publication. It is a beautifully designed hard back book and the edit and layout of the work is perfect. It is wonderful to see an extensive edit of ‘till death us do part’ and ‘home & away’ in print.
I am always open for new projects. In the meantime, I still continue working on my two series ‘’In the Bath’’ and ‘’Freckles”. I also have some new cooperation coming which we are organising at the moment.
In common with most photographers worldwide, from Mumbai to Manchester, Adrian seldom leaves home without a camera. Photographers are, by nature people blessed (or cursed) with an unquenchable curiosity
It happened that a couple of years ago, during literature festival “Panevezys Literary Winter”, a perfect opportunity arose to take pictures of the event participants – people from Lithuanian literature world.
A handwritten note neatly folded and hidden in the crevice of a rock, a passport photograph placed under a stone, ribbon carefully wrapped around piles of twigs. These are all offerings of religious devotion, known as ‘Ex-Votos’ and found at Christian pilgrimage sites worldwide.
The project “American Dream” begun in year 2015 as a part of Adelīna`s bachelor thesis research. On behalf of it, for three months she traveled across the United States, covering more than 21 000 kilometers.
It is often assumed that people in large cities are incommunicado and more so now, in a world dominated by social media, played out on the handsets of smart phones. However, this series of photographs highlights that social communication is irrepressible.
“Scars” is a celebration of beauty, of flaws, of battles won and obstacles overcome. It is about survival, living beyond that and capturing the memories. It is a truly honest depiction of how our history, shown through these scars does not define us but compels us.
The project is a development of work with my partner Peter in which we perform various incarnations of the couple/family/ wedding portrait. These images were initially inspired by the tradition of the painted wedding portrait in western art history.
These black and white images are from a diversity of global locations. Ireland, Canada, Iceland, The Faroe Islands and Namibia. They endeavour to convey a sense of space, atmosphere and the way in which light exacerbates tonal contrasts.
The world witnesses love between people of all nationalities and races. This planet gives room to those attracted to people of the same, opposite and both genders. It is how this world is constructed. It is how it always was.
The Omo valley of Ethiopia is home to approximately forty tribes, living in climatic, social and political margins. I aspire to capture these people as they are, in a state of transition as outside influences increasingly make an impact on their indigenous culture.
This photo series is a collection of old and new pictures, taken between 2014 and 2017. The later years I have been drawn to a darker mood in my working, and it’s not so clean either, like my earlier photography.