In June 2015, Pedro Oliveira, a Brazilian photographer, living in Portland, OR-USA, started a personal ongoing series of photographic essays casing lives of real people throughout several cities of the West coast of the United States.
In the literature we can find references of water as a symbol of life (when water flows), like death (in stagnant waters), for purification, personification of the soul and of the Great Gods and also as a step of life.
Vertigo is inhaled upon excess. The explosion of reality arises upon an anguish born under the physical encounter with things. Little happens on the ground, only from time to time emerges a horse, a soaring bird
The series explores the relationship between two people. One of them, the author. It shows us different aspects of a “love story”, talking about it between quotes as she is not interested in showing just a romantic aspect of it, but a honest and transparent one.
Migrations tend to appear as the visible side of often invisible phenomena. The great human displacements, as a rule, precede or follow profound changes, be it from the economic and political point of view, or in social or cultural terms.
In this series called “We’re Happy Together” Gabriel Carpes photographed his family in the years following his father’s passing and his sisters moving away from their hometown of Porto Alegre to different parts of the country.
I can see the lights coming on in my house and can already imagine myself standing at the bathroom mirror to inspect the dried sweat lines on my neck, the darkened shade of soiled brown on my arms and hands.
This series of photos, not represent all of Africa, some people there are, they are the result of having shared some time with them. They opened their houses for me and offered me their food, so I am very grateful.
Born in 1984 (by fate, being born on World Photography Day), Nádia Maria is a Brazilian photographer based in Bauru, São Paulo, Over the years she explored photography, and has studied at Senac school in Brazil.
Letícia Zica grew up in the city of Belo Horizonte, state of Minas Gerais, Brazil , and currently lives and works in São Paulo. At age 22, her photographic work consists of self- portraits , and part of the tireless exercise, and perhaps endless.
There is a species of frog whose brain will not register if lunch is moving out of reach of its sticky tongue. Its eyes still send signals of a receding meal, but it has evolved in such an extraordinary manner, that there is no part of its brain allocated to receive those signals.
Through the Diablada, a folk dance with Andean origin that represents in a simple way the fight between the evil and good, the work investigates the struggle of the Bolivian immigrants living in a foreigner country.
Jose Acosta is a sound designer, electronic music producer and photographer. As a sound designer has worked with projects in film and television. As a photographer has worked with projects such as fashion, portrait and street photography.
Aristocracy Etymologically the word means “government of the best”. This project is located in El Zapillo, which is an urban beach located in a small town in southern Spain, where normally there are no strangers, only natives.
In the summer of 2014, photographer Jacqueline Zilberberg and writer Liliana Lara, both from Venezuela, met in Israel to collaborate on a project which combines images and words from the vision of those coming from afar. In this project, the protagonist is the desert.
Daniel Botelho is an award winning photojournalist that specializes in underwater photography. His work can be seen in more than a hundred advertising campaigns. Daniel’ s connection with nature dates back to his childhood, as he grew up in between the sea and the rainforest, in Rio de Janeiro, Brazil.
My photography style of photo-impressionism allows for the abstraction of subjects and makes it possible to express feelings more fully without having to say a word. It allows me to put down thoughts, dreams, and fleeting moments in time with my pictures.
Travelling is for me one of the most beautiful things in the world and I’ve always been deeply fascinated by how emotions and feelings can sometimes play a huge role in how we perceive and experience those trips we make.
Photography is a very interesting combination of technical skills and artistic perception. While I enjoy mastering the technical aspects of photography, I try to keep uppermost in mind the artistic matters.
This essay deals with the seductive power of innocence. Like fractured narratives of a dream, the remnants of childhood float, honesty, credible emotions, the simplicity of the unexpected. Surges then the seduction spontaneously gathering its fortuitous results.
Born in Argentina, Betina left at the age of 8, when she went to boarding school in Europe. She Harrow Art school in London and studied Dramatic Art in Rome, before moving back to London to work in television and film production for several years.