New York (7 Mar – 8 Apr 2017) First published in France in 1958, then in the United States in 1959, Robert Frank’s “The Americans” exploded onto twentieth-century photography redefining what a photograph and a photography book could mean.
Marc Ward was never given a camera as a child. He wasn’t “hooked” on photography from the beginning…. Photography came to him by accident. As an art major in college, Marc needed a way to document his painting, print -making, and sculptural work.
Meg Wachter is a photographer and retoucher who lives and works in Brooklyn, New York (by way of Ohio). She attended Ohio University’s School of Visual Communication and received a BA in Commercial Photography and a Minor in Women’s Studies.
New York (Feb 24 – Jun 09, 2017) The International Center of Photography (ICP) will present the exhibition Han Youngsoo: Photographs of Seoul 1956– 63 in the ICP gallery at Mana Contemporary in Jersey City.
This definition forms the foundation of the photography series Texas Relics by Steve Knight. The photos attempt to represent his interpretation of this definition through the following criteria: preserved history; a stasis that has resulted in decline; a rejuvenation of things once lost
It is of great significance that the word ‘commute’ has an added meaning; to commute is to change one kind of payment or obligation for another, that being the underlying factor in my becoming a commuter passenger.
The initial drive for Homemade is the stubborn desire the artist has felt to grow roots in the U.S.A, having moved to NYC from Switzerland a little over a year ago. There are a variety of ways to ground oneself into a different culture
The work of Emmanuel Monzon focuses primarily on the idea of urban sprawling and the urban expansion of its periphery. Monzon photographs urban banality as though it were a romantic painting, trying only to be “stronger than this big nothing” in controlling the space by framing the subject.
I began photographing dolls in 2001 to listen to their voices, and see their secret lives once again as I did in my childhood. And after a few years of inviting them into a photographic world I staged, I started asking myself, “Why do I really photograph dolls?”