Lucas Foglia grew up on a small family farm in New York and graduated from Brown University and the Yale School of Art. Foglia’s work explores the relationships between people, economy and wilderness in rural America.
The boundary of the United States of America’s original thirteen colonies encompasses roughly the country’s entire eastern coast—from Maine to Georgia and from the shores of the Atlantic Ocean to the Appalachian Mountains.
This essay deals with the seductive power of innocence. Like fractured narratives of a dream, the remnants of childhood float, honesty, credible emotions, the simplicity of the unexpected. Surges then the seduction spontaneously gathering its fortuitous results.
Coca Cola logos are very dominant in the Philippine landscape. I chose to photograph them because they’re very distinctive, and while I know other countries also have Coke ads, I don’t think they’re anywhere as pervasive as the Coke banners, streamers, metal signs, tarps, posters, logo placements beside store names as I see here in the Philippines.
I started photography six years ago and was inspired by the great artworks of Robert Capa, Josef Hoflehner and Michael Kenna. However, I think for photographers it is important to find an own style, and I don’t wont to copy somebody else.