ISO Directory


Inside the Camera Bag of Marcel Kolacek

In my camera bag I have really only the basics. I am not much for any conveniences. Two Nikon cameras, two short lenses (35 mm, 18-55 mm – mostly use 24 mm) and a zoom lens (300mm), which basically I do not use, but I take it with me on the road


Inside the Camera Bag of Alfredo Macchi

Normally I travel with two camera bodies, a Canon 7D and an old Canon 30D, two machines to read but very reliable, even under extreme conditions. I carry tree objectives: a 10-22 1: 3.5 – 4.5 which is the one I prefer, a 17-55 1: 2.8 which is good for all situations and a 70-200 1: 4 in the case of subjects distant.


Inside the Camera Bag of Steve Davis

I use a Lowepro medium format bag, which at times isn’t large enough, but otherwise, I’m very happy with it. The bag has to be strong, reasonably comfortable to carry, and has to allow for quick access to everything.

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Inside the Camera Bag of Jan Møller Hansen

I usually bring two camera houses, and most often it’s the Canon EOS 1DX and the Sony Alpha 7Rii. I fell that these two cameras supplement each other very well. The first is very fast, easy to maneuver, great at low-light conditions and is strong and weather proof.


Inside the Camera Bag of Adrien Tache

In photography, I’m working with two different tools, so let’s say I’ve two camera bags. In the first one, you can find an entry level reflex, which is a Nikon D5000 with two lenses (a 18-105 mm and a 50mm 1.8) and a Manfrotto Tripod


Shooting with natural light by Isabella Bubola

Shooting with natural light is full of unpredictability, which is exactly why many photographers find it challenging and exciting! Ever since starting my photographic journey, I’ve always been drawn to natural light because it allows me to create a certain atmosphere and, thus, translate the idea I have in mind into a photograph.


What won´t serve you by Brooke Shaden

As anyone starting out in a new business, you meet people who will guide you, or attempt to. Being new at something seems to invite others to give their opinions whether it is solicited or not. I appreciate when people offer their particular expertise for the most part.


Do something by Yoram Roth

You’re on an airplane, sleeping with your head against the window, your heart set on being home this time three hours from now. All of a sudden, something goes very wrong.


The Perfect Moment by Scott Stulberg

Photography is about so many things to so many of us. But probably more than anything, it’s about capturing the best photograph possible. An image that really stands out. And quite often, that means being at the right place at the right time.


Learn to see by Thomas Leuthard

You have to see things before you can capture them. No matter what camera you are using, first you have to see what is going on, first you have to realize what is happening next and second you have to virtu- ally compose the photo.


An edition of one by Yoram Roth

Before photography was elevated to an art form, it was a craft. Somewhere between journalism and portraiture, technically-skilled people with a creative streak caught moments, and then made prints.


My Workflow by Thomas Leuthard

A lot of people think that street photography is just pressing the shutter release button at the right moment. For me street photography is a big process where you can make a lot of mistakes and where there are a lot of challenges.


Passion how & why by Brooke Shaden

My first love was writing. After that it was filmmaking. And only after that was it photography. I thought, for the first few years of my career, that photography was my passion. But what if photography fades from my life?


I can see for miles by Robin Macmillan

Living in Ontario, getting into a landfill was proving difficult with gates, fences, personnel, etc and I was beginning to lose hope. Last month I was travelling around the island of Montserrat with a private guide