Steve Knight became interested in photography 45 years ago after attending a college screening of the 1949 movie The Third Man. Taken with the imagery, Steve sat through it twice and to this day cannot tell you what the film was about.
Brighton wasn’t exactly the coolest place in England. “A lot of old people, mum!” So Taylor wasn’t too excited to visit her Grandma for the weekend, as a London girl, the seaside town wasn’t what she was looking for.
For more than 15 years I have been creating lumino-kinetic objects. They are made out of transparent Acrylic plates and colored LED-light. The light changes its color constantly so the objects never looks the same.
We know, long time, even though, but time is up, whole world will not save us from time of Godot, which is close and vague, implicit, out of voice, itching and harlotry, all life gushes out the skin, then a temptation without a body
Seeking for lost values. Values of an Italian productive society downsized by the advent of outsurcing practices leading to the improvement of the tertiary sector, which replaces manufacturing most of the times.
This project has become a visual expression of my pregnancy journey and experience of giving birth. I’ve been child free for a long time. But one day I’ve understood that something inside me has changed
Berber Theunissen / These images are powerful and simultaneously stilled by the simplicity of their composition, their spherical colors, cuts, depth, claire-obscure, close cased shadows and overexposed segments.
This project brings together 14 of the characters involved in the reconstruction of various periods of Russian history: from the 9th century when we find the earliest mention of the Ancient Russia, until the end of the second world war.
What is “chance?” Chance is the occurrence and development of events in the absence of any obvious plan. Chance events are good, bad or neither. Good is referred to as “serendipity” and bad being “unfortunate.”
What is it about Horror, the macabre, that when it’s vague and banal, effects us more than when it’s clear? If horror is something that is sensed or felt, how can we manifestly depict or articulate it?
As an artist when shooting body parts, I see infinite beauty. In fact, for me, the human body is the greatest piece of art created. There are endless possibilities: a hand can be captured in any number of ways
Love cannot be defined. It is both an essential part of the human experience as well as an entirely personal one. It mutates through time and our relationships with different people. It unites and divides us.
Neverland is a visual chapter in my ongoing body of work, which addresses the journey we are all on, our lives and experiences. I have pondered this subject since my 30’s and it still leaves a giant question that seems to go in a circle.
Every minute 1 920 000 photos are taken in the world. Every minute 527 760 photos are shared on Snapchat. Every minute 347 222 photos are shared on WhatsApp. Every minute 243 055 photos are shared on Facebook.
At first site Gamboa seems like a forgotten town in the middle of the richest rainforest you can imagine, Panama Pacifico seems like an ideal residential area to raise a family, to jog and cycle around.
Hellerau Festival Theatre, built in 1911 as a school of Rhythmics, is today the location of HELLERAU – European Centre for the Arts, Dresden. Following an eventful history – in the 1930s it served as a military camp; later the Soviet army used it as their barracks
For me photography is a spiritual act, an inner conviction and a desire to abstract essence beyond the material world. I’m interested in something which is built up from within, rather than just a superficial image.
My series is about leukemia, but is in a very subjective and personal way. When my daughter was 3 year old fell ill on this disease. During this time, illness, hospital, treatment, nuisance and anxieties become common place our family.
This series is an exploration of the female body. Inspired by the freedom which emerges from her model, Clémence Elman chooses to represent the female outlines in a poetic way, but also without artifice.
Emel Karakozak takes us to a new journey on female body with her series of BİR/İM/İZ. Her photography indicates how we scream out by silence, how we veiled ourselves by disrobing and how we become sole by reproducing.
Thoses pictures are driven by the need to feel alive, witnessing the development of someone’s physical & mental condition.What doesn’t kill you make you stronger. That said, some deeper wounds may break some parts of your being forever.
For most of us growing up, playgrounds were more than a place for fun and games- they also provided a fast and hard lesson in how social structure works; they taught us how to be patient while we waited for our turn on the swing, while boys would chase and torment the new girl
Some pain can’t be shared, some truths can’t be acknowledged. In his artists statement Philip LePage states: “25 years ago I woke up in a hospital with no memory of how I had gotten there. A Certain Distance is an ongoing series of images exploring the things I haven’t been able to say to anyone.
These images are from Mikaels project ”Passages” which still is to be finished. This project is scheduled for exhibitions during 2018 and in the planning is also a book. ”Passages” deals with the moments of change in our life and in nature.
Collages have fascinated Matthias Jung ever since he was a child. It all began in the photo lab of his father. With scissors and glue, the rst fantastic build- ings were made. Basically, he doesn’t do anything differently nowadays.
This definition forms the foundation of the photography series Texas Relics by Steve Knight. The photos attempt to represent his interpretation of this definition through the following criteria: preserved history; a stasis that has resulted in decline; a rejuvenation of things once lost