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My name is Dina and I tell animate stories about inanimate objects”. I'm a person with little paper cities, sugar cubes, moon from polymer clay, doll's miniatures, broken cups, handmade Rube Goldberg machine, repainted puzzles, wire trees, cardboard dragons and spilled coffee.
During the Edwardian era in Britain (1901 to 1911) over 1.5 million men and women were employed as servants in the homes of the wealthy. Being ‘In Service’ was a way to escape poverty, but it was not the relatively comfortable life frequently illustrated in today’s media.
Question about home, dream and everything between, Photography is my emotional escape, I use it as something to express what I feel in my life instantly. In 2014, I moved from my hometown and started to live in another city for a master study
Night is dark, lonely and uncanny, but at the same time it can be silent and peaceful. It is easy to find people looking for a light in these dark and empty places. This work explores the relationship between truth and fiction and my influences are as diverse as Jean-Luc Godard, David Lynch, Gregory Crewdson and Tom Hunter.
The Minotaur, a monster, was condemned to live in the Labyrinth to hide the shame of his parents.But as in a life, behind the appearances, there are always many hidden messages…
I used to find a good spot for an image and then be joined by some guy with better equipment than me who would prop up a carbon fibre tripod and take exactly the same photo as me. That's not art, it's completely boring and pointless.
This body of work represents a step from behind the veil of ideas and techniques to find earnest revelations of my struggle to be whole with my fragmented sense of self. It is a reach for connectivity with others and a reconciliation with the stabbing isolation
The images in this body of work reflect my ongoing fascination with urban environments and the impact that commerce has on them. It is my attempt to resolve the visual tension created by the over-development of the city that I have lived in and loved most of my life.
Mark has had a camera in his hands since he was 8 years old. After leaving school at 18, he studied photojournalism in Sheffield, England, and then went on to work for many of the national daily newspapers in London
The Dark City project is based on two series, "Possible Worlds" and "Reality show”, each achieved using very different techniques: an analogue technique, using a Polaroid, and a digital technique, using image manipulation.
The figure of the idol has a mesmerizing and seductive power. The admiring crowd raises him or her to a higher rank, and turns the idol into an object of worship and contemplation. The Idol series shows the special relationship between these two parties, and focuses on its passionate and destructive nature.
DreamWorld began one long, sleepless night while I tossed and turned with the frequent insomnia I struggle with. As I lay there not sleeping, I had a vision of a magical person in charge of sleep and dreams and as I continued to not sleep, more characters came to me.
The Confession of a Shark is a tale. A tale of suspended characters and frozen scenes, fixed points of view and stopped sceneries. The atmosphere is at the same time relaxed and intent, there is the hint of an action, concealed and withheld. An action stopped in the fraction of second which could sign its end or its start, suspended in the doubt of a resolution or of a departure. This tale never repeats itself,...
It is not yoga as such. It is an architectural experiment changing the way we experience every day situations in an urban environment by focusing on our body and senses. The goal of The Urban Yoga is to develop a method for designing space based on subconscious sensory experience.
No other landform captures my imagination and attention more quickly than does a dune field. At any given moment, depending on the light, a dune can take on the appearance of water - both shimmer and flow - or emulsify into what appears to be a thick undulating molten soup.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.