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Concept

Why moving? Mobility is an act of survival, surviving from the geographical boundary of your-self, territory, and boundary that prevent you from encountering the others.
Karen Knorr lived in Belgravia, London for a short period in the 1970’s her parent’s maisonette in Lowndes Square returning to photograph their friends for the series Belgravia (1979-1981).
Mario Rossi was born in Naples. Now he lives in Rome the city that he set off from and the city he go back to. He is involved in photography since the late seventies years gradually supporting the need for deeper search for a language to identify with.
Skrunda is a town in Latvia, also known as a ghost town since 1998. It was built by Soviet Union as a military town in 1963. There you still can find 60 buildings that comprise the former complex and town including apartment blocks, a school, barracks and an officers club.
My photographs present the human body, with an emphasis on functional body cavities (holes), and their changes as far as significance, functionality and appearance over time.
You can go to the other side, or change the state of consciousness. You can find the secret window through which we will enter a new dimension. You can also convert, fall and get up.
Working Jill is a photographic conceptual series that represents there is a notion of humor about a very serious subject still seemingly controversial today. Equal pay for women in the same jobs as men.
In this series I wanted to capture the state of ‘ waiting ’ which all of people have experienced in their lives. I mostly used natural light as the state by itself is natural.
At one end of November, I had more realized that life is never clear from pain. Lost many things I love almost took my hope away. From that point, I started to let go whatever happens in my life.
Uncanny Valley is a term from the field of robotics and represents the diagram to explain: 
"When the aspect of the machine becomes too anthropomorphic it produces a strong revulsion amongst humans".
Food is essential in life, and in some people’s lives, literature is too. The photographer Charles Roux has been thinking about the links between them and the result is Fictitious Feasts.
Aaron Sehmar - Fine art photography allows me to be able to come up with ideas for images that are a lot more conceptual, where the end result is more of a catalyst for a larger discussion about various topics, such as the purpose of photography, hyperreality, artifice and displacement.
The distinctive man is characterized as a guy who has determined to do something important for him. Even the context is not specified exactly in the photographs, we could imagine and relish his hiding situation and consideration like a daydream.
Erik Johansson is a photographer and retoucher from Sweden based in Prague, Czech Republic and Sweden. He is working on both personal and commissioned projects with clients all around the world. Erik Johansson doesn't capture moments, he captures ideas.
The independent modern woman is described in tones of perceptively lyrical and surreal feeling throughout the series, with the mood of the central character filling the air.
When I am visited by idea for creation of pictures, I do sketches or records in a notebook. The idea is born incidentally and occupies all my thoughts. I begin search of object for shooting, I think over clothes, details, a location and color scale.
It launched in Berlin, his hometown for 40 years, but then he extended this kind of photography to other citys. For this series he use exclusive analogue film material in both dimensions (35mm and 6x6) and only b&w.
Is this fiction or reality? This is the question underlying the series – the images provoke the viewer question what they see. Is this a picture of a warm rain forest or a cold German mixed forest? Are these animals really living in this forest or is it a giant zoo?
It is often said that eyes are windows to the soul. When we think of windows, we usually look through the window at the scenery and the world.This time I want to change the perspective by looking from outside the window to inside to see different emotions and situations.
There are so many people who are not aware of Berton's novels, the writer of surrealism principals, and so many people never think about the magic realism in visual arts, especially with photography, with which it has a close relationship, even more so than with literature.
The Harmony Series is a project deeply rooted in my personal history, started a year ago. The series are named after the school of rhythmic gymnastics-“Harmony”,where i spent most of my childhood.
What’s the purpose of his presence in these places? Is he looking for his own kid ? Is he looking for his own childhood? Is he one of these adults affected by the “Peter Pan syndrome “? Is he trying to trick the old age? Perhaps this series talks about mourning.
The project – entitled Eidolon, meaning a spectre or phantom in human form – consists of four images all visualising real people’s very real nightmares. Upon conducting a survey appealing for members of the public to share their nightmares with her, Orlinski began the process of sifting through responses and starting to visualise them.
The next ten years I photographed myself and my friends growing into adults. When I turned 16 I got my first DSLR and started taking more professional portraits too. This led the way to more abstract photography, but I never stopped documenting my life.
This project was not born as a cohesive body of work. In fact, it surfaced from an editing process during my first semester of residency at the New Hampshire Institute of Art, where I am currently studying to get my MFA in Photography.
" Charnel " is a straightforward, yet bizarre narration of a thousands-year-old lake- a lake as aged as human identity. This photo collection, which was designed and produced with photo-montage and photo-stage in 2015
Noir Stills is a work inspired by 1940s-60s great noir movies' directors (especially Carol Reed and Alfred Hitchcock); I am an avid crime stories' reader and I wanted to create a series that could be an homage to this word.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
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