In Service by Julia Fullerton-Batten

During the Edwardian era in Britain (1901 to 1911) over 1.5 million men and women were employed as servants in the homes of the wealthy. Being ‘In Service’ was a way to escape poverty, but it was not the relatively comfortable life frequently illustrated in today’s media.

Horse by Jean Bastien Lagrange

Horse by Jean Bastien Lagrange

This displacement has the further advantage of evoking an imaginative fantasy or narrative which expands well beyond the image. Jean-Bastien’s early life and travels to the Indian sub-continent probably has a lot to do with his skill and sensitivity in this regard.

The Procession of Spectres by Ville Kansanen

The Procession of Spectres by Ville Kansanen

This body of work represents a step from behind the veil of ideas and techniques to find earnest revelations of my struggle to be whole with my fragmented sense of self. It is a reach for connectivity with others and a reconciliation with the stabbing isolation

Deconstruction by Lilyan Aloma

Deconstruction by Lilyan Aloma

The images in this body of work reflect my ongoing fascination with urban environments and the impact that commerce has on them. It is my attempt to resolve the visual tension created by the over-development of the city that I have lived in and loved most of my life.

Almost Black by Jon Gorospe

“Almost Black” evokes a moving picture that even as it grows dark and opaque, still contains some light. Imagine the downward movement of the eyelids and what can be seen when half closed. On certain occasions we squint to focus on an image, reducing the amount of light in order to see clearer.

Shinji Ichikawa : The essence

I was born to a family who ran a photo studio; thus, I was raised in an environment surrounded by photography. The town where I was born and grew up is famous as the spot where Japanese spirits would come to gather from all over the country in the tenth month of the old calendar.

Daydreamers by Bill Lusk

Bill Lusk is an advertising and editorial portrait photographer whose work has been spotlighted in Luerzer’s Archive, Altpick, Addy, One Show and numerous other competitions. He works with a premier team of talented lighting assistants and post-production retouchers through a united digital process.

Tamara Knight – The world as I see it

Tamara Knight – The world as I see it

I am originally from the Crimean peninsula, so my vision is a little different. I was born and grew up in Sevastopol, learned photography in Moscow school and developed and polished my skills in America. A wild blend!

Szymon Kobusinski Photography

Szymon Kobusinski Photography

Graduate of The Leon Schiller National Film, Television and Theatre School. Passionate about portrait photography for years. He has photographed eminent representants of culture, politics and prominent buisinessmen.

Pia Johnson – In a dim light…

Pia Johnson – In a dim light…

The setting is rural Japan in the middle of the night. The 100-year-old house stands nestled between mountains, bamboo, rice paddies and the sea. It is made of wood and filled with tatami mats and screens. Time passes slowly.

Impermanence by Dawn Heumann

Impermanence by Dawn Heumann

These photographs depicting abandonment expose the vulnerability of our existence by facing decay and loss. Metaphorically speaking the places in this series symbolize what we fear most:

Underwater by Erin Mulvehill

She is the founder of the international non-profit project, The Camera Project, which facilitates and encourages children around the world to photograph their everyday environment and reflect on their lives

Innocence by Claudio Allia

Innocence by Claudio Allia

Since a long time tried to imagine how to create a series of images expressing in a provocative way the childhood’s innocence in contrapposition with life brutality inspired by the lovely passage from Arthur Schopenauer.

Edyta Dufaj : Between pure objectivity and ethereal dream

Edyta Dufaj : Between pure objectivity and ethereal dream

Last year graduate from the Krakow’s Academy of Fine Arts’ Photography Studio.Laureate and finalist of several contests, including Adobe Design Achievements Awards in New York, Poznan Photo Diploma Award, International Biennale of Landscape Photography, 5th Polish Biennale of Photography “City and People – Dynamics”.

Water – Tomohide Ikeya

We thought human could control water if we had lots of equipments and cared for risks in water, but human never be able to live in water. And we also never be able to live without water.

Tortured Mind by Petri Damstén

I started photographing seriously after I got retired and wanted to try something creative. I had tried darkroom with black and white prints ages ago, but mainly my photography was just snapshots before that.

A form of View – Yoav Friedländer

A form of View – Yoav Friedländer

As an Israeli my perception is chaotic; composed of mediated American culture, desert landscapes of childhood, and war, which became integral in my life. I was trained to see and understand the world through photographs.

Cache by Dana Stirling

My family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture.

Wound by Samad Ghorbanzadeh

Wound by Samad Ghorbanzadeh

The nature of the concept of “Woman and Femininity” has always been the subject of many debates through different points of view in societies. The concept of femininity can be addressed from different aspects,

Neverland by Krystel Marois

Neverland by Krystel Marois

Krystel Marois is a photographer originally from Sherbrooke (Canada) who currently lives and works in Brisbane (Australia). She completed with honours a Bachelor of Fine Arts at Concordia University (Montreal, Canada) in 2010, with a major in Photography

Life Science by Dr. Eran Gilat

I am a Neuroscientist and an avid Art Photographer. My research focused on the study of epilepsy, and the development of innovative cure for this illness. In recent years I found myself directing most of my attention and energy to still life photography

The Lost Road by Francisco Diaz

The Lost Road by Francisco Diaz

The photographs I create are what I call cinematic narrative photomontages, fictions meant to seem like snapshots of “reality.” The implication is that our reality is created through the limitations of our perceptions.