In this project I examine the lives of female sex-workers, women who choose to earn their living by exploiting their bodies as escorts, dominatrices, porn actresses, web cam and live sex and peep show performers, striptease, lap dancing artistes, or sexual surrogates as therapy for clients, and transgender people.
Olympe Tits is a self-taught photographer. Born in Marseille, 3rd April 1992, she has now settled in Antwerp, Belgium. She combines this with a life as a contemporary dancer, teaching at the Royal Ballet school of Antwerp and choreographing for dance-theatre pieces.
This photo series is a collection of old and new pictures, taken between 2014 and 2017. The later years I have been drawn to a darker mood in my working, and it’s not so clean either, like my earlier photography.
Yolanda Garcia is a photographer who lives in Madrid. She has in a world of dreams, pain, laughter, and likes to externalize. She started in photography from she was a child, fiddling with cameras from their parents.
Born in Birmingham, 1979, Robert Darch is photographer, educator & curator based in the South West of England. He holds a MA with distinction in Photography & the Book and an MFA with distinction in Photographic Arts from Plymouth University.
These seven images represent the women in Bénédicte Vanderreydt’s family that have been oppressed and objectified by a male dominated society, at a time when personal honour was of great significance to men.
Skrunda is a town in Latvia, also known as a ghost town since 1998. It was built by Soviet Union as a military town in 1963. There you still can find 60 buildings that comprise the former complex and town including apartment blocks, a school, barracks and an officers club.
Working Jill is a photographic conceptual series that represents there is a notion of humor about a very serious subject still seemingly controversial today. Equal pay for women in the same jobs as men.
The distinctive man is characterized as a guy who has determined to do something important for him. Even the context is not specified exactly in the photographs, we could imagine and relish his hiding situation and consideration like a daydream.
When I am visited by idea for creation of pictures, I do sketches or records in a notebook. The idea is born incidentally and occupies all my thoughts. I begin search of object for shooting, I think over clothes, details, a location and color scale.
In the days following the 22nd of July 2011 terrorist attack by right-wing extremist Anders Behring Breivik, the streets of Norway were filled with colorful roses and speeches of love conquering extremism, fear and xenophobia.
It is often said that eyes are windows to the soul. When we think of windows, we usually look through the window at the scenery and the world.This time I want to change the perspective by looking from outside the window to inside to see different emotions and situations.
The project – entitled Eidolon, meaning a spectre or phantom in human form – consists of four images all visualising real people’s very real nightmares. Upon conducting a survey appealing for members of the public to share their nightmares with her, Orlinski began the process of sifting through responses and starting to visualise them.
This project was not born as a cohesive body of work. In fact, it surfaced from an editing process during my first semester of residency at the New Hampshire Institute of Art, where I am currently studying to get my MFA in Photography.
” Charnel ” is a straightforward, yet bizarre narration of a thousands-year-old lake- a lake as aged as human identity. This photo collection, which was designed and produced with photo-montage and photo-stage in 2015
Noir Stills is a work inspired by 1940s-60s great noir movies’ directors (especially Carol Reed and Alfred Hitchcock); I am an avid crime stories’ reader and I wanted to create a series that could be an homage to this word.
This photographic series of works is a symbolic attempt of connecting a human being with his place of living. In times when distance is no longer a barrier and when settling down and identifying with space is getting harder.