There is a place that seems so far from here. A place where the sand, the dirt, the rock and the sky live in harmony. Where the sun beats down on the man formed brick and the asphalt of the journey to the West. It washes away the dark of the night before and leaves the walls and the road worn like an old, well worked, pair of blue jeans.
The cold air is unmoving, except for when the wind thrusts it violently making me bend in its wake. Trees mockingly bloom with snowball cotton tops. Gale force winds throw the storm door off its hinges as I make my way outside. I hear the birds who have come back to our yard to sing, though the snow clings, swaddling the muddy earth.
In States of Grace, I illuminate beauty amidst the chaos. I’m calmed by the simplicity of a graceful line and the stillness of the suspended moment and compelled to share an impression of the serenity I find there.
With its 163 million-strong population, Bangladesh is in the midst of a construction boom and with that expansion comes a need for cheap construction materials. Such high demand has lead brickmaking to thrive.
The feelings I have toward specific images change over the years and as I grow older than the subject in the photograph, my criticisms and self-consciousness morph with me. This project will expose itself over the years and images my ego cannot handle to share now will have opportunity to change the narrative later.
To be honest, I get no satisfaction from my finished images. The image itself means nothing to me; it is the process of obtaining the image that provides me with the satisfaction that keeps me looking for more- along the streets and in the pavement, in the chipped paint, in the mad colors and fleeting shapes, always looking.
This series was photographed and documented in November 2017 for four days while I visited my father in Brazil. We explored the desert of Jericoacoara, the Atlantic coastline in the north of Brazil. The unexpected combination of the desert between the blue ocean and white sand dunes spread over 200 kilometers side by side took my breath away.
Ten years before India’s independence, in 1937, a little after 7.00 pm, four men and a five year old boy, after some hearty afternoon snacks at a local eatery, seeking novelty, sauntered into a photo studio, in Kakinada
Transfiguration revolves around a little girl named Maria – a survivor of the 1932-1933 famine in my homeland of Ukraine. Her parents and 4 million others died because of Stalin’s policy of artificial starvation.
New York (July 10 – August 4, 2018) Umbrella Arts Gallery is pleased to host I Surrender, Dear, an exhibition exploring the emotional equalizer of grief, born from the personal experience of curator Frances Jakubek.
My visual memory of New York City has always been in black and white. Although some of the best and most colorful paintings ever created are found in its museums, Manhattan is, for me, a place composed from an incredible range of grays.
Whether they are dancing, napping, eating, drinking, talking, alone or together, the images capture people having fun or in a contemplative mood in the dark hours of the day. Jorge was born in Montevideo, Uruguay
In the city, we tend to keep our heads down; these photos invite us to look up. Each of these images is structured by bold juxtapositions — between the built environment and the natural world, between rigid city grids and fluffy white clouds
Character-based portraits and narrative-driven scenes are our thing. Sometimes quirky, sometimes serious, occasionally scripted, and often just REAL – they specialize in capturing authentic moments in even the most manufactured of settings.
New York (16 May – 16 Jun 2018) Mary Ryan Gallery is pleased to present In Plain Sight, a retrospective exhibition of photographer Jean Pagliuso in celebration of her monograph of the same name published by Damiani in 2018.
As of January 2018, about 1 million Rohingya refugees fleeing persecution in Myanmar has settled in overcrowded informal camps near Cox Bazaar in Bangladesh. It is estimated over 580,000 are children. The lucky ones are with family who could protect them.
Our sense of sight guides our life. We touch, taste, listen and even feel with our eyes. Our entire economy and statecraft are dependent on it. Which business brand does not depend on our sense of sight? Which politician is not cued on optics?
The edge or border of something. An amount by which something is won or falls short.Consider the mind and body as a parchment that is scribed, erased, and scribed again—used and reused in perpetuity until its fibers begin to unravel and fall apart.
Your Majesty the Queen is a series that came up to life after two years of grief due the loss of my mother to cancer. I was very close to her specially during the time of the illness up to the point of becoming her mother.
“You are a naughty man!” responded an amused, flirtatious and nude Simone de Beauvoir to Art Shay, who had sneaked from behind the open door and shot a whole strip of her nudes, while she groomed herself in the bathroom.
Eqi is unique in that as it is forced downhill and around a curve from the Greenland Ice Sheet, it’s layers are turned vertically. This causes the glacier to sheer when it reaches the bay in a near constant manner, into very small fragments rather than icebergs.
In this series “New York” Christopher confronts the use of color which is quite a departure from all of his previous works which are in black and white, in fact, he is well known as the creator of the all black and white fine art photography.
Robots that serve and protect or destroy; monsters that emerge from the sea; aliens that arrive from faraway solar systems; superheroes that fight crime and unimaginable evils; wizards that orchestrate fellowships; heroes and villains that clash in galaxies far, far, far away
For Daniel Murtagh, the essence of a good portrait is ‘Presence’ , the experience of a person not merely seen, but felt . “I like to compare it to the experience in music , a certain combination of sounds expresses the intent of the composer”
What is a romantic photographer? The romantic photographer is a visual alchemist, an organic perceiver. Someone, who projects his inner being: emotions and experiences outward, through the lens, in search of resonance and congruence in his subject matter
We had the honour of being able to interview Scott Kelby; a highly expected interview that we now have the pleasure of being able to publish in Dodho Magazine. Without any doubt, currently, Scott Kelby is one of the best photographers, with an incredible mastery of colour and light.
Our Nocturnes series began as an experiment, an adventure, a collaboration. A pinhole camera-maker and a wet-plate collodion artist collaborated to produce mammoth plate tintypes, echoing the work and process of the early survey photographers.
For photographers, food markets are always a tempting place to shoot with their bounties of colors, shapes, textures and people. Over the years, I have visited a large number of food markets in various parts of the world including many in India.
In June 2015, Pedro Oliveira, a Brazilian photographer, living in Portland, OR-USA, started a personal ongoing series of photographic essays casing lives of real people throughout several cities of the West coast of the United States.
About two decades ago my father moved to Scranton, Pennsylvania, and this was only my second experience with the United States.In the late 70’s he took the journey from Greece to the Big Apple to pursue a PhD, which led him to the Keystone State.
This project emerged from the realities of struggling with an end of a relationship that was salted dry through infidelity. After a complicated breakup, I found myself on a trip in the desert with a couple that was newly in love
This shot is one of a series. There are seven photos in this series, so for doing this kind of work in a series, I need to prepare carefully. I had the idea or theme first, then I tried to find a well-fitting location.
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