Quotidian Life “ Series “ Living in a great city, I was naturally driven to street photography and depicting the quotidian life in its simplest form. I admit being very audacious not necessarily following the rules surrounding this type of photography in the pure sense of its definition.
I’m currently working on a new series entitled Selah, taking its inspiration from master artists such as Caravaggio, Ribera and Gustave Doré. The exhibition features famous actors and interesting faces. The collection will be exhibited in London and Los Angeles in 2019-20.
Today’s reality is guided by competition alongside the fierce longing to ascend into what many call paradise. But what lies in this pursuit are strangely manufactured channels of both sincerity and unsettling moments that make us question our ultimate wishes.
New York (March 21–May 11, 2019) Klompching Gallery is delighted to present a solo exhibition of new work by Odette England. This will be the artist’s second solo show at the gallery, and brings together a selection of artworks from three recently completed and ongoing projects.
The missing forest It is not the forest of milk of Dylan Thomas nor the mysterious jungle of Emilio Salgari. It is – just and nothing less – a handful of twigs that the time dried and the eye finished to dissect and isolate, until they float in black chamber, turning them into ideograms of an underground pondering.
Sight is a continuous stream of visual resources that allow us to understand and interact with the world, but memory is selective and interrupted. Coming from a Cinema background I tend to consider images for what they mean during a temporal dimension, and time makes them ephemeral.
I recently photographed the Quixotic journey of Joey Allen, a Navajo Indian who embarked on a mission to ride his bicycle from Flagstaff, Arizona, to Monument Valley, Utah, campaigning for “Madonna for President.”
Each summer, a large extended family of Roma camp out in an olive grove on the island of Skopelos, Greece. Their family is vast and reaches into many towns on mainland Greece. Last May, I drove into their compound and asked if I could photograph them.
Sustainability, sustainable development, conscious consumption, environmentally friendly and recycling are among the trending expressions nowadays in the media. These were already incorporated in my vocabulary and habits but a few years ago, walking around my home town – Curitiba
The body of work “Thou Art..,Will Give…’ is derived from the first Penitentiary in the United States. The Quakers started it because they believed they could reform people by putting them in solitaire for the full sentence and provide them with a Bible to give their Penitence. It was their grand experiment to try and help people. Obviously, it did not work.
Mara Sánchez Renero (Mexico) studied photography in Barcelona, Spain, where she lived for 10 years. She was part of the collective boom of 2008, in Spain, where she was co-founder of the collective Malocchio and PHACTO.
Through time and elements; through hope and despair; through the eyes of the ones who once left and fought the ruthless sea; the ones who stayed and faced the shape of history, and us, who came in wonder, Havana stands as a monument to resilience.
The felicific calculus is an algorithm formulated by jurist and reformer Jeremy Bentham (1748–1832) for calculating the moral rightness of an action by balancing the probable pleasures and pains that it would produce. Bentham, a utilitarian philosopher, believed this calculus could, in principle, help determine the moral status of any considered act.
Midway is somewhere between becoming and being; between entropy and stasis; between learning and knowing; between alienation and belonging; between isolation and community; between immigration and assimilation; between urban and suburban; between poetry and blight. Midway is a metaphor and it’s a state of mind. It’s also an airport.
Every single person who lives in New York has probably wondered at least once why there are so many signs offering esoteric and mystical services spread around the city. The little Keano flyer, which you can see in the corner of many advertisements’ frames in most subway trains, was the starting point of my journey within the community of New York’s psychics
Reno embodies ideas of Western idealism, the frontier spirit, transience, and the gambler’s impulse to risk everything for the chance at a better life. It was founded as a toll, a passage across the Truckee River, and on silver from the Comstock Lode.
Ana Luisa Matos’ work focus on the concept of home and identity. Her most recent series, No Place To Lay My Head explores her relationship to her home country. Developed during a series of road trips, the work captures her reconnection to Portugal, after having spent time leaving abroad, and coming to terms with her own identity.
Chicago (11 Jan – 16 Mar 2019) We are thrilled to present the 20th exhibition of work by Michael Kenna, and The CEG Salon, as our final shows in our River North location. Both shows open January 11 and run through March 16, 2019.
I grew up attending church on Sunday morning and attending motorsports Sunday evening. In an attempt to visualize the emotions and experience of those magical Sunday evenings of my youth I started the project I-57.
Throughout her work, Yayoi Kusama uses polka dots as a metaphor for giving up personal identity and becoming one with the universe. “Far beyond the reaches of the universe,” she says, “infinity is trying to communicate with us” and it reaches out through her work as an infinite series of polka dots.
And now who are we? Where are we? Where do we go? If the last trace of innocence disappeared as life was transformed into survival. While fear intoxicated our human condition and duel consumed our calendars.
The current pace of development around the world has brought widespread concern about a loss of diversity in nature and the need to protect endangered species. But the changes brought by the forces of globalization, industrialization and urbanization affect not only animals and plants. People and cultures, ways of thinking and ways of living that have been in existence for thousands of years, are also at risk.
One of the procedures of the legitimization of oppressive practices is to reduce subordinated individuals to the category of mere body. The objectification that affects women is a decisive factor in the outbreak of violence of which they are victims.
There is a certain magic to the American Midwest. Honest. Modest. Understated. Sometimes unappreciated. Often overlooked. I created Midwest Memoir as a way to help others see the American Midwest in a whole new light.
The central idea for Hypothesis Project came to me during a theatrical performance, that I had the opportunity to photograph in 2016. Once the performance started, immediately came to my mind, a memory of part of poem from a Brazilian poet, Carlos Drummond de Andrade.
Chasing Light is an ongoing collaborative photography series and community engagement project. My twin sister, Bianca, and I use photography as a means to explore our dynamic as siblings and our experiences of owning queer identities and disabled bodies.
Boston (13 Dec 2018 – 24 Feb 2019) Ansel Adams is the rare artist whose works have helped to define a genre. Over the last half-century, his black-and-white photographs have become, for many viewers, visual embodiments of the sites he captured: Yosemite and Yellowstone National Parks, the Sierra Nevada, the American Southwest and more. These images constitute an iconic visual legacy—one that continues to inspire and provoke.
The world’s population has increased from 4 billion to 7 billion since 1975 with the majority of the population surge occurring in developing countries. Today, it is estimated that over 4 billion people are living in urban centers with one quarter of these people (1 billion people) living in slums, and shantytowns within these centers.
New York (13 Dec 2018 – 2 Mar 2019) “Will You Still Love Me Tomorrow?” is the first exhibition of David LaChapelle’s work at Staley-Wise Gallery in more than ten years. Many of the works included have never been previously exhibited.
By what mechanism do I see beauty in decay or distress? Why does a defaced-distressed message incite me? And, how can defacement delineate the mundane mess, from aesthetic magic? The answers may reside in the cognitive theory, which, for the most part, is concerned with the development of an individual’s thought process
We need more presence like Dodho that features inspiring images and creative photographers. Going back to my earlier comment about where you spend your time, browsing Dodho is certainly worth every minute to read stories and get inspired by amazing photographers.
Women are still struggling with being considered beautiful by the old, stereotypical standards, but I believe women are changing the status quo. It is still most women’s inclination to pose and adorn herself according to what a man would want.
Besides the incomparable issues that Venezuela faces, the country also has to deal with the upcoming complications in universal problems such as deaths caused by cancer and how they have been increasing ever since the financial crisis began to lash the oil nation in 2014.
As I pulled away from Mom and Dad’s condo, I looked back one more time and snapped two photos of Mom as she waived goodbye from the sidewalk. She was fully dressed, her cheeks noticeably hollow and her expression strained and apprehensive.
The Rug’s Topography began with me photographing my intimate partner of six years. Simultaneously, we were facing an internal conflict: how we identified as individuals differed from the roles we occupied in our partnership.
While obtaining my Bachelor of Fine Arts degree from Brigham Young University, I spent a lot of my time running away, finding a need to get out of Provo, then Utah, and then the United States. My flights resulted in a myriad of adventures, stories, and long road trips. It was during these long drives that I consistently ran into small Utah towns, consisting of a corner store, a post office, and children racing down…
Belgian photographer Alain Schroeder has been working in photography for more than three decades, first as a sports photographer for 15 years (shooting 500 magazine covers during his tenure), before turning to book assignments spanning travel, fine-art and architecture.
I grew up on a small farm thirty miles outside of New York City. The forest that bordered the farm was my childhood wilderness, a safe and wild place to play that was ignored by our neighbors who commuted to Manhattan.
I am a writer by passion and a photographer by design. What I mean by this is that writing requires a lot of practice, dedicated labor every day, just to attain mediocrity. It is a very discouraging avocation.
Fine china is a project been developed earlier this year. I went to the porcelain Capital, Jingdezhen, China to discover the traditional process of making fine china. The entire project is been shot on Ilford HP5 Film.
The goal of my animal portraits is to create a connection to our fellow creatures of the earth that will inspire the viewer to see the worth of that individual, thereby creating a desire to protect the species and the eco systems they thrive in.
New York (Sep 14–Oct 26, 2018) With the Binary Code series, Max de Esteban continues his examination of our world, as mediated by and through technology, through creating photographic imagery that is informed by and utilizes the traditions of appropriation and remix.
There is a place that seems so far from here. A place where the sand, the dirt, the rock and the sky live in harmony. Where the sun beats down on the man formed brick and the asphalt of the journey to the West. It washes away the dark of the night before and leaves the walls and the road worn like an old, well worked, pair of blue jeans.
The cold air is unmoving, except for when the wind thrusts it violently making me bend in its wake. Trees mockingly bloom with snowball cotton tops. Gale force winds throw the storm door off its hinges as I make my way outside. I hear the birds who have come back to our yard to sing, though the snow clings, swaddling the muddy earth.
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