AmericaNudeAlexandre Grand ; elegance, lightness and spontaneity
My portraits are characterized by elegance, lightness and spontaneity. They seek to bring up forgotten or repressed personalities, those parts that society has said were not appropriate, what was imprisoned because they labeled it ugly and found it improper.
I have always believed that the eyes are the windows to the soul. The way i observe the world, i can express what is happening in my particular universe.
The photograph brings out my feelings, my emotion and my deepest questions. It is a form of communication with the various selves that live inside my soul. Over the years, the way that i shoot people portrait was transformed. A few years ago I met my wife, an incredible person who shows me every day the strength and softness that exists inside the woman. With her I learn to walk the world in partnership and to navigate the tides of the various goddesses that live within her.
My portraits are characterized by elegance, lightness and spontaneity. They seek to bring up forgotten or repressed personalities, those parts that society has said were not appropriate, what was imprisoned because they labeled it ugly and found it improper.By giving vent to these personalities, people are liberated from their taboos, traumas and prejudices. There is no illusion of separation. The heart opens to the beauty and wholeness of being. By reverencing your inner self, people claim their powers by asserting to themselves and to the world that they are free. [Official Website]
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Alexandre Grand | elegance, lightness and spontaneity
Ascension is one of a multiple of photographic series that I have done in which I have tried to photograph the story, found between lightness and darkness, that a moment of luminosity tells through the flow of our energy pushing and pulling our forms.
This work is the representation of the permanent movement of marine waters and its erosive impact on the rocks of the coastal edge. This natural process, constant and of high energetic impact, allows to sculpt the rock in a gradual and progressive way, generating beautiful and capricious rock formations.
I was very happy when Julia, one of the three sisters, contacted me, with idea to memorize her and her sisters in the traditional Slovak dresses which not while ago my grand grand mum was wearing like her every day dress. There are also some villages you can still find women wearing those dresses calling “kroj”
Oliver Merce was born in 1977. He lives in Timisoara (Romania) for over 15 years and he is a graduate of the Faculty of Silviculture and Forest Engineering. He is especially attracted to documentary and street photography
I am looking for an intense and harmonious beautiful by working on the side abstract of the human body, a true human sculpture by its lines of strength, its immovable power, its elegance and its free expression.
Birds are like humans, and people are like birds. They are smart and stupid. They are nice and ugly. They are full and hungry. They are delicate and predatory. somethey are singing others are shouting. People like birds can fly.
5 days ago, the big truck arrived in Presevo with donations. Hans from our team, Claudio the photographer and I had gone there to help on-site.We already knew what is happening there.
In Purulia Chhau dancers wear large stylised masks while performing and hence the evolving of Chhau Mask making. This dance form is predominantly seen in the states of Odissa, West Bengal and Jharkhand
Thaipusam hits you in the stomach, fills your senses with colors, sounds and harsh images, giving you thoughts about faith and worships. It is one of the most important Hindu festival celebrated by the Tamil community in honor of Lord Murugan
Five young women, dressed in colorful tights and balaclavas, entered the Cathedral of Christ the Savior in Moscow, and began singing—“Virgin Mary, Mother of God, chase Putin out/Chase Putin out, chase Putin out.”
The project “The Algarvians and the others” it ́s an ongoing photographic project that pretend to make a portraiture of the people who that live, work and visit Algarve, the southern region in Portugal.
In Iran, death penalty is given to the children for the crimes such as murder, drug trafficking, and armed robbery. According to the Islamic Penal Law, the age when girls are held accountable for their crimes is 9 years old, while the international conventions have banned the death penalty for individuals under 18.
There is beauty in death. Nature teaches us this. Just as Butterflies live for one dance before they part ways with one another and life, flowers grow more beautiful as they die.
The enchanting beauty of a girl with red hair and freckles smoothly nestled in the greens and the browns of a wood, embracing the wild nature in a dreamy atmosphere, a desire of harmony and peace rarely found in the daily chaos of the urban life.
In the EU, the number of homeless people has grown by seventy percent in one decade. Nowadays more than 700 thousand people have to face the fact daily that they have no roof above their heads.
Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
The trucks continually roll past the roads that lead to their villages, spitting out so much dust that people living in the villages can no longer breathe.
With this work I want the viewer to get a good look at what it is like living in America as a Black man. I use the wet-plate collodion process to connect the past to the present and explore the atrocities of slavery and Jim Crow
Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create ‘Can’t Smile Without You’, an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium.
Army complex from the time of the Austro-Hungarian Empire. It lies by Metelkova Street in the center of Ljubljana, Slovenia. It was abandoned in the early 1990s, when Yugoslavia collapsed.
It’s another beautiful day in paradise. Dark, and rainy. It’s one of those days that suggest the beauty of film. F-stop wide open, the darkness and grain, the feeling of an impressionist painting.
These images are part of what I’ve called an “alternative family album.” With one exception, I constructed each work using vernacular photographs from archives discovered after my parents’ deaths.
OTHERSTORIES
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. AcceptRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
